2024 5.24–8.31
Wilfrid Almendra
LISBON | The Dog's Sweat
2020 2.28–5.30
Victoria Fu
Victoria Fu
2014 1.31–3.8
Victoria Fu
Crossbar Radical-Tick Scoop Star
2024 9.6–10.26
Tromarama
CHICAGO | Auto Ally
2021 6.5–8.8
Tromarama
Beta
2014 4.25–5.31
Thomas Killian Roach
Weling
2013 4.26–6.1
Suara Welitoff
Anyone Who’s Everyone
2014 9.5–10.18
Sterling Lawrence, Christalena Hughmanick
Form Without a Room
2018 6.1–7.8
Sterling Lawrence
Setting Place
2016 3.18–5.7
Sterling Lawrence
Substitution Play
2022 3.5–4.23
Stan VanDerBeek
Panels for the Walls of the World: Phase I
2018 9.14–10.27
Stan VanDerBeek
Poemfield
2014 3.14–4.19
Selina Trepp
Val Verita
2015 9.3–10.17
Sean Snyder
Vertical Horizontal / Horizontal Vertical
2013 9.6–10.19
Scott Fortino
A Variety Show
2013 2.1–3.9
Scott Cowan
Scott Cowan: New Works
2014 12.12–2015 1.24
Sara Magenheimer
Soap Opera Pop Music
2024 2.23–4.6
Sara Greenberger Rafferty
CHICAGO | An Audience
2021 11.6–12.18
Sara Greenberger Rafferty
Views from Somewhere
2018 11.2–12.22
Sara Greenberger Rafferty
THE LAUGHTER
2016 11.11–12.23
Sara Greenberger Rafferty
Dead Jokes
2012 11.9–11.11
Robert Chase Heishman and Megan Schvaneveldt
ibid.
2015 6.19–7.18
Phillip Maisel
Serengeti Green
2024 4.12–6.1
Paul Mpagi Sepuya
CHICAGO | Infinite Like Night
2021 4.16–5.29
Paul Mpagi Sepuya
Stage
2018 4.13–5.26
Paul Mpagi Sepuya
Dark Room
2015 10.24–12.5
Paul Mpagi Sepuya
Figures / Grounds / Studies
2012 1.6–2.25
Paul Erschen
West Plaza
2011 10.21–10.23
Paul Cowan and Michael Hunter
MDW Fair: Paul Cowan and Michael Hunter
2013 6.7–7.20
Owen Kydd
Regular Colors
2013 10.25–12.7
Nick Johnson
Studio Nudes
2024 7.11–8.16
Natani Notah, John Opera, Sara Greenberger Rafferty, Kazuhito Tanaka, Pedro Vaz
QUEENS, NY | Cosmic Disco
2023 11.3–12.23
Natani Notah
CHICAGO | Thoughts on Being Thrown
2012 8.3–8.26
Michael Pfisterer
Summer Residency
2023 3.3–4.22
Meg Lipke
CHICAGO | Moon Tempo
2023 8.30–11.4
Matthew Fischer, Victoria Fu, Sara Greenberger Rafferty, Mariko Makino
LISBON | Light Waves
2018 1.6–2.17
Mary Helena Clark
Ligature
2015 12.11–2016 1.23
Mary Helena Clark
The palm at the end of the mind
2015 1.30–3.7
Marcus Geiger, Margaret Welsh
Geiger/Welsh
2014 6.6–7.26
Marco Braunschweiler
I want to be an honest man and a good writer.
2019 9.13–11.2
Louis Cane, Noël Dolla, Claude Viallat
Supports/Surfaces: Objects of Knowledge
2017 1.7–2.18
Laura Letinsky, John Paul Morabito
orchidsgladiolascowsdaffodilscandywrappersyelloworangebloodredroses&shit
2024 9.13–11.2
Laura Letinsky
LISBON | Dirty dishes, body problems, and other conundrums
2022 6.24–8.13
Laura Letinsky
The indignation of counting spiders
2019 4.19–6.1
Laura Letinsky
To Want For Nothing
2017 9.9–10.28
Laura Letinsky
Polaroids
2023 5.26–7.29
Kiah Celeste
LISBON | What In The World Becomes Me
2022 4.30–6.18
Kiah Celeste
All the best, Kiah Celeste
2024 2.2–5.18
Kazuhito Tanaka
LISBON | Picture(s)
2021 2.26–4.10
Katy Cowan
winds glow unceasing
2020 11.19–12.30
Julien Creuzet
cloud cloudy glory doodles on the leaves pages, memory slowly the story redness sadness bloody redness on the skin
2017 9.9–10.20
Julien Creuzet
Hiding behind the foliage. Search for Mygalia
2019 6.27–7.26
John Opera, Sterling Lawrence, Mary Helena Clark
Condo NY 2019
2023 1.20–5.20
John Opera
LISBON | Blue Dream
2023 1.6–2.25
John Opera
CHICAGO | The Observers
2019 6.7–7.27
John Opera
John Opera
2017 4.15–5.27
John Opera
Technical Images
2023 9.8–10.28
Jimmy DeSana
CHICAGO | Suburban
2016 7.9–8.27
James Collins, Rachel de Joode, Alwin Lay
What Birds Can See
2018 2.24–4.2
Howardena Pindell
Video Drawings
2019 4.19–6.1
Greg Stimac
Amulet
2014 10.24–12.6
Greg Stimac
Middle Gray
2022 9.17–10.29
Gordon Hall
TURN BACK
2019 11.8–12.21
Gordon Hall
Uselessness
2019 3.1–4.13
Geraldo de Barros
Geraldo de Barros
2017 2.25–4.8
Geraldo de Barros
Fortunately, there are remains
2012 12.14–2013 1.26
Georgia Wall
Dedication to this View
2024 6.7–8.3
Erin Jane Nelson
CHICAGO | Undersight
2020 9.11–10.31
Erin Jane Nelson
Resting Spore
2017 6.3–7.8
Erin Jane Nelson
Psychopompopolis
2015 3.13–4.25
Erin Jane Nelson
Petrichor
2012 9.7–10.20
Eric Fleischauer
In Circulation
2017 7.14–8.26
Elizabeth Atterbury, Jude Broughan, Mary Helena Clark, James Collins, Scott Fortino, Owen Kydd, Sterling Lawrence, Laura Letinsky, Jaclyn Mednicov, Christopher Meerdo, Sara Greenberger Rafferty, Victoria Fu, Matt Rich, Alison Ruttan, Sean Snyder, Greg Stimac, Andrew Norman Wilson, Scott Wolniak
Paris, London, Hong Kong, Portland, Brooklyn, Detroit, Los Angeles, Chicago, San Diego, Oak Park, Berlin
2016 11.4–12.3
Elizabeth Atterbury, James Collins, Sterling Lawrence
DOCUMENT at Et Al Gallery in San Francisco
2018 7.13–8.18
Elizabeth Atterbury, Gordon Hall, Hương Ngô, Em Rooney
Friend of a Friend
2020 7.10–8.29
Elizabeth Atterbury, Geraldo de Barros, Jessica Campbell, Mary Helena Clark, Julien Creuzet, Victoria Fu, Aron Gent, Gordon Hall, Jennefer Hoffman, Norman Kelley, Sterling Lawrence, Laura Letinsky, Christy Matson, Christopher Meerdo, Jonathan Muecke, Erin Jane Nelson, Gordon Parks, Sara Greenberger Rafferty, RO/LU, Paul Mpagi Sepuya, Greg Stimac, Andrew Norman Wilson
Interiors
2024 1.5–2.17
Elizabeth Atterbury, Anneke Eussen, Gordon Hall, Erin Jane Nelson, Paul Mpagi Sepuya, Pedro Vaz
CHICAGO | EXHIBIT A
2021 1.8–2.20
Elizabeth Atterbury
Letters and Souvenirs
2016 5.14–6.25
Elizabeth Atterbury
Happy Sunny Jade
2012 10.27–12.8
Elizabeth Atterbury
Photography Indoors
2015 5.1–6.13
Derek Franklin
Meditation Furniture for Ten Minute Breaks
2024 11.8–2025 2.1
Claude Viallat
LISBON | Peintures
2021 9.10–10.30
Claude Viallat
Claude Viallat
2020 1.10–2.20
Christopher Meerdo
Bundle Umbra
2016 1.29–3.12
Christopher Meerdo
Erythrocyte Ghosts Filled with Quantum Dots Improve Cryogenics with Microarea Custom Freeze Thaw
2013 3.15–4.20
Christopher Meerdo
Anthology
2022 11.4–12.23
Barbara Kasten
ARCHITECTURAL FICTION
2013 12.14–2014 1.25
B. Ingrid Olson
From her come a gang and a run
2023 4.28–6.17
Anya Kielar
CHICAGO | Madam
2024 11.1–12.21
Anneke Eussen
CHICAGO | Beyond purpose
2022 1.8–2.26
Anneke Eussen
Blank Pages
2017 11.3–12.23
Andy Cahill
Icons and Rituals
2023 11.9–2024 1.27
Andrew Norman Wilson
LISBON | Plump Caruncles Rippling Dewlaps Dangling Snoods and Sumptuous Plumage with Piercing Eyes Sunken Ears and Shrouded Beaks
2019 1.11–2.23
Andrew Norman Wilson
Kodak
2016 9.17–11.5
Andrew Norman Wilson
Ode To Seekers
2012 6.1–7.28
Andrew Norman Wilson
ScanOps
2015 7.24–8.29
Alice Konitz, Lasse Schmidt Hansen, Sterling Lawrence
RE|PRODUCTION
2023 6.23–8.5
Alexandra Barth, Nickola Pottinger, Carolyn Salas, Robert Zehnder
CHICAGO | Meteor
2012 3.2–4.14
Alan Cohen
Alan Cohen
2012 4.20–5.26
Adi Goodrich and Jimmy Marble
Adi Goodrich and Jimmy Marble
Artist |
Exhibition |
Dates |
Type |
||||
---|---|---|---|---|---|---|---|
Wilfrid Almendra |
LISBON | The Dog's Sweat |
2024 5.24–8.31 |
Past |
||||
Victoria Fu |
Victoria Fu |
2020 2.28–5.30 |
Past |
||||
Victoria Fu |
Crossbar Radical-Tick Scoop Star |
2014 1.31–3.8 |
Past |
||||
Tromarama |
CHICAGO | Auto Ally |
2024 9.6–10.26 |
Past |
||||
Tromarama |
Beta |
2021 6.5–8.8 |
Past |
||||
Thomas Killian Roach |
Weling |
2014 4.25–5.31 |
Past |
||||
Suara Welitoff |
Anyone Who’s Everyone |
2013 4.26–6.1 |
Past |
||||
Sterling Lawrence, Christalena Hughmanick |
Form Without a Room |
2014 9.5–10.18 |
Past |
||||
Sterling Lawrence |
Setting Place |
2018 6.1–7.8 |
Past |
||||
Sterling Lawrence |
Substitution Play |
2016 3.18–5.7 |
Past |
||||
Stan VanDerBeek |
Panels for the Walls of the World: Phase I |
2022 3.5–4.23 |
Past |
||||
Stan VanDerBeek |
Poemfield |
2018 9.14–10.27 |
Past |
||||
Selina Trepp |
Val Verita |
2014 3.14–4.19 |
Past |
||||
Sean Snyder |
Vertical Horizontal / Horizontal Vertical |
2015 9.3–10.17 |
Past |
||||
Scott Fortino |
A Variety Show |
2013 9.6–10.19 |
Past |
||||
Scott Cowan |
Scott Cowan: New Works |
2013 2.1–3.9 |
Past |
||||
Sara Magenheimer |
Soap Opera Pop Music |
2014 12.12–2015 1.24 |
Past |
||||
Sara Greenberger Rafferty |
CHICAGO | An Audience |
2024 2.23–4.6 |
Past |
||||
Sara Greenberger Rafferty |
Views from Somewhere |
2021 11.6–12.18 |
Past |
||||
Sara Greenberger Rafferty |
THE LAUGHTER |
2018 11.2–12.22 |
Past |
||||
Sara Greenberger Rafferty |
Dead Jokes |
2016 11.11–12.23 |
Past |
||||
Robert Chase Heishman and Megan Schvaneveldt |
ibid. |
2012 11.9–11.11 |
Past |
||||
Phillip Maisel |
Serengeti Green |
2015 6.19–7.18 |
Past |
||||
Paul Mpagi Sepuya |
CHICAGO | Infinite Like Night |
2024 4.12–6.1 |
Past |
||||
Paul Mpagi Sepuya |
Stage |
2021 4.16–5.29 |
Past |
||||
Paul Mpagi Sepuya |
Dark Room |
2018 4.13–5.26 |
Past |
||||
Paul Mpagi Sepuya |
Figures / Grounds / Studies |
2015 10.24–12.5 |
Past |
||||
Paul Erschen |
West Plaza |
2012 1.6–2.25 |
Past |
||||
Paul Cowan and Michael Hunter |
MDW Fair: Paul Cowan and Michael Hunter |
2011 10.21–10.23 |
Past |
||||
Owen Kydd |
Regular Colors |
2013 6.7–7.20 |
Past |
||||
Nick Johnson |
Studio Nudes |
2013 10.25–12.7 |
Past |
||||
Natani Notah, John Opera, Sara Greenberger Rafferty, Kazuhito Tanaka, Pedro Vaz |
QUEENS, NY | Cosmic Disco |
2024 7.11–8.16 |
Past |
||||
Natani Notah |
CHICAGO | Thoughts on Being Thrown |
2023 11.3–12.23 |
Past |
||||
Michael Pfisterer |
Summer Residency |
2012 8.3–8.26 |
Past |
||||
Meg Lipke |
CHICAGO | Moon Tempo |
2023 3.3–4.22 |
Past |
||||
Matthew Fischer, Victoria Fu, Sara Greenberger Rafferty, Mariko Makino |
LISBON | Light Waves |
2023 8.30–11.4 |
Past |
||||
Mary Helena Clark |
Ligature |
2018 1.6–2.17 |
Past |
||||
Mary Helena Clark |
The palm at the end of the mind |
2015 12.11–2016 1.23 |
Past |
||||
Marcus Geiger, Margaret Welsh |
Geiger/Welsh |
2015 1.30–3.7 |
Past |
||||
Marco Braunschweiler |
I want to be an honest man and a good writer. |
2014 6.6–7.26 |
Past |
||||
Louis Cane, Noël Dolla, Claude Viallat |
Supports/Surfaces: Objects of Knowledge |
2019 9.13–11.2 |
Past |
||||
Laura Letinsky, John Paul Morabito |
orchidsgladiolascowsdaffodilscandywrappersyelloworangebloodredroses&shit |
2017 1.7–2.18 |
Past |
||||
Laura Letinsky |
LISBON | Dirty dishes, body problems, and other conundrums |
2024 9.13–11.2 |
Past |
||||
Laura Letinsky |
The indignation of counting spiders |
2022 6.24–8.13 |
Past |
||||
Laura Letinsky |
To Want For Nothing |
2019 4.19–6.1 |
Past |
||||
Laura Letinsky |
Polaroids |
2017 9.9–10.28 |
Past |
||||
Kiah Celeste |
LISBON | What In The World Becomes Me |
2023 5.26–7.29 |
Past |
||||
Kiah Celeste |
All the best, Kiah Celeste |
2022 4.30–6.18 |
Past |
||||
Kazuhito Tanaka |
LISBON | Picture(s) |
2024 2.2–5.18 |
Past |
||||
Katy Cowan |
winds glow unceasing |
2021 2.26–4.10 |
Past |
||||
Julien Creuzet |
cloud cloudy glory doodles on the leaves pages, memory slowly the story redness sadness bloody redness on the skin |
2020 11.19–12.30 |
Past |
||||
Julien Creuzet |
Hiding behind the foliage. Search for Mygalia |
2017 9.9–10.20 |
Past |
||||
John Opera, Sterling Lawrence, Mary Helena Clark |
Condo NY 2019 |
2019 6.27–7.26 |
Past |
||||
John Opera |
LISBON | Blue Dream |
2023 1.20–5.20 |
Past |
||||
John Opera |
CHICAGO | The Observers |
2023 1.6–2.25 |
Past |
||||
John Opera |
John Opera |
2019 6.7–7.27 |
Past |
||||
John Opera |
Technical Images |
2017 4.15–5.27 |
Past |
||||
Jimmy DeSana |
CHICAGO | Suburban |
2023 9.8–10.28 |
Past |
||||
James Collins, Rachel de Joode, Alwin Lay |
What Birds Can See |
2016 7.9–8.27 |
Past |
||||
Howardena Pindell |
Video Drawings |
2018 2.24–4.2 |
Past |
||||
Greg Stimac |
Amulet |
2019 4.19–6.1 |
Past |
||||
Greg Stimac |
Middle Gray |
2014 10.24–12.6 |
Past |
||||
Gordon Hall |
TURN BACK |
2022 9.17–10.29 |
Past |
||||
Gordon Hall |
Uselessness |
2019 11.8–12.21 |
Past |
||||
Geraldo de Barros |
Geraldo de Barros |
2019 3.1–4.13 |
Past |
||||
Geraldo de Barros |
Fortunately, there are remains |
2017 2.25–4.8 |
Past |
||||
Georgia Wall |
Dedication to this View |
2012 12.14–2013 1.26 |
Past |
||||
Erin Jane Nelson |
CHICAGO | Undersight |
2024 6.7–8.3 |
Past |
||||
Erin Jane Nelson |
Resting Spore |
2020 9.11–10.31 |
Past |
||||
Erin Jane Nelson |
Psychopompopolis |
2017 6.3–7.8 |
Past |
||||
Erin Jane Nelson |
Petrichor |
2015 3.13–4.25 |
Past |
||||
Eric Fleischauer |
In Circulation |
2012 9.7–10.20 |
Past |
||||
Elizabeth Atterbury, Jude Broughan, Mary Helena Clark, James Collins, Scott Fortino, Owen Kydd, Sterling Lawrence, Laura Letinsky, Jaclyn Mednicov, Christopher Meerdo, Sara Greenberger Rafferty, Victoria Fu, Matt Rich, Alison Ruttan, Sean Snyder, Greg Stimac, Andrew Norman Wilson, Scott Wolniak |
Paris, London, Hong Kong, Portland, Brooklyn, Detroit, Los Angeles, Chicago, San Diego, Oak Park, Berlin |
2017 7.14–8.26 |
Past |
||||
Elizabeth Atterbury, James Collins, Sterling Lawrence |
DOCUMENT at Et Al Gallery in San Francisco |
2016 11.4–12.3 |
Past |
||||
Elizabeth Atterbury, Gordon Hall, Hương Ngô, Em Rooney |
Friend of a Friend |
2018 7.13–8.18 |
Past |
||||
Elizabeth Atterbury, Geraldo de Barros, Jessica Campbell, Mary Helena Clark, Julien Creuzet, Victoria Fu, Aron Gent, Gordon Hall, Jennefer Hoffman, Norman Kelley, Sterling Lawrence, Laura Letinsky, Christy Matson, Christopher Meerdo, Jonathan Muecke, Erin Jane Nelson, Gordon Parks, Sara Greenberger Rafferty, RO/LU, Paul Mpagi Sepuya, Greg Stimac, Andrew Norman Wilson |
Interiors |
2020 7.10–8.29 |
Past |
||||
Elizabeth Atterbury, Anneke Eussen, Gordon Hall, Erin Jane Nelson, Paul Mpagi Sepuya, Pedro Vaz |
CHICAGO | EXHIBIT A |
2024 1.5–2.17 |
Past |
||||
Elizabeth Atterbury |
Letters and Souvenirs |
2021 1.8–2.20 |
Past |
||||
Elizabeth Atterbury |
Happy Sunny Jade |
2016 5.14–6.25 |
Past |
||||
Elizabeth Atterbury |
Photography Indoors |
2012 10.27–12.8 |
Past |
||||
Derek Franklin |
Meditation Furniture for Ten Minute Breaks |
2015 5.1–6.13 |
Past |
||||
Claude Viallat |
LISBON | Peintures |
2024 11.8–2025 2.1 |
Upcoming |
||||
Claude Viallat |
Claude Viallat |
2021 9.10–10.30 |
Past |
||||
Christopher Meerdo |
Bundle Umbra |
2020 1.10–2.20 |
Past |
||||
Christopher Meerdo |
Erythrocyte Ghosts Filled with Quantum Dots Improve Cryogenics with Microarea Custom Freeze Thaw |
2016 1.29–3.12 |
Past |
||||
Christopher Meerdo |
Anthology |
2013 3.15–4.20 |
Past |
||||
Barbara Kasten |
ARCHITECTURAL FICTION |
2022 11.4–12.23 |
Past |
||||
B. Ingrid Olson |
From her come a gang and a run |
2013 12.14–2014 1.25 |
Past |
||||
Anya Kielar |
CHICAGO | Madam |
2023 4.28–6.17 |
Past |
||||
Anneke Eussen |
CHICAGO | Beyond purpose |
2024 11.1–12.21 |
Current |
||||
Anneke Eussen |
Blank Pages |
2022 1.8–2.26 |
Past |
||||
Andy Cahill |
Icons and Rituals |
2017 11.3–12.23 |
Past |
||||
Andrew Norman Wilson |
LISBON | Plump Caruncles Rippling Dewlaps Dangling Snoods and Sumptuous Plumage with Piercing Eyes Sunken Ears and Shrouded Beaks |
2023 11.9–2024 1.27 |
Past |
||||
Andrew Norman Wilson |
Kodak |
2019 1.11–2.23 |
Past |
||||
Andrew Norman Wilson |
Ode To Seekers |
2016 9.17–11.5 |
Past |
||||
Andrew Norman Wilson |
ScanOps |
2012 6.1–7.28 |
Past |
||||
Alice Konitz, Lasse Schmidt Hansen, Sterling Lawrence |
RE|PRODUCTION |
2015 7.24–8.29 |
Past |
||||
Alexandra Barth, Nickola Pottinger, Carolyn Salas, Robert Zehnder |
CHICAGO | Meteor |
2023 6.23–8.5 |
Past |
||||
Alan Cohen |
Alan Cohen |
2012 3.2–4.14 |
Past |
||||
Adi Goodrich and Jimmy Marble |
Adi Goodrich and Jimmy Marble |
2012 4.20–5.26 |
Past |