2013 9.6–10.19
Scott Fortino
A Variety Show
2012 4.20–5.26
Adi Goodrich and Jimmy Marble
Adi Goodrich and Jimmy Marble
2012 3.2–4.14
Alan Cohen
Alan Cohen
2019 4.19–6.1
Greg Stimac
Amulet
2022 1.8–2.26
Anneke Eussen
Blank Pages
2013 3.15–4.20
Christopher Meerdo
Anthology
2013 4.26–6.1
Suara Welitoff
Anyone Who’s Everyone
2022 11.4–12.23
Barbara Kasten
ARCHITECTURAL FICTION
2020 1.10–2.20
Christopher Meerdo
Bundle Umbra
2024 11.1–12.21
Anneke Eussen
CHICAGO | Beyond purpose
2023 4.28–6.17
Anya Kielar
CHICAGO | Madam
2024 6.7–8.3
Erin Jane Nelson
CHICAGO | Undersight
2024 1.5–2.17
Elizabeth Atterbury, Anneke Eussen, Gordon Hall, Erin Jane Nelson, Paul Mpagi Sepuya, Pedro Vaz
CHICAGO | EXHIBIT A
2023 9.8–10.28
Jimmy DeSana
CHICAGO | Suburban
2023 1.6–2.25
John Opera
CHICAGO | The Observers
2023 3.3–4.22
Meg Lipke
CHICAGO | Moon Tempo
2023 11.3–12.23
Natani Notah
CHICAGO | Thoughts on Being Thrown
2024 4.12–6.1
Paul Mpagi Sepuya
CHICAGO | Infinite Like Night
2024 2.23–4.6
Sara Greenberger Rafferty
CHICAGO | An Audience
2024 9.6–10.26
Tromarama
CHICAGO | Auto Ally
2021 9.10–10.30
Claude Viallat
Claude Viallat
2019 6.27–7.26
John Opera, Sterling Lawrence, Mary Helena Clark
Condo NY 2019
2014 1.31–3.8
Victoria Fu
Crossbar Radical-Tick Scoop Star
2018 4.13–5.26
Paul Mpagi Sepuya
Dark Room
2016 11.11–12.23
Sara Greenberger Rafferty
Dead Jokes
2012 12.14–2013 1.26
Georgia Wall
Dedication to this View
2024 7.11–8.16
Natani Notah, John Opera, Sara Greenberger Rafferty, Kazuhito Tanaka, Pedro Vaz
QUEENS, NY | Cosmic Disco
2016 11.4–12.3
Elizabeth Atterbury, James Collins, Sterling Lawrence
DOCUMENT at Et Al Gallery in San Francisco
2021 1.8–2.20
Elizabeth Atterbury
Letters and Souvenirs
2020 9.11–10.31
Erin Jane Nelson
Resting Spore
2016 1.29–3.12
Christopher Meerdo
Erythrocyte Ghosts Filled with Quantum Dots Improve Cryogenics with Microarea Custom Freeze Thaw
2015 10.24–12.5
Paul Mpagi Sepuya
Figures / Grounds / Studies
2014 9.5–10.18
Sterling Lawrence, Christalena Hughmanick
Form Without a Room
2017 2.25–4.8
Geraldo de Barros
Fortunately, there are remains
2018 7.13–8.18
Elizabeth Atterbury, Gordon Hall, Hương Ngô, Em Rooney
Friend of a Friend
2013 12.14–2014 1.25
B. Ingrid Olson
From her come a gang and a run
2015 1.30–3.7
Marcus Geiger, Margaret Welsh
Geiger/Welsh
2019 3.1–4.13
Geraldo de Barros
Geraldo de Barros
2022 9.17–10.29
Gordon Hall
TURN BACK
2016 5.14–6.25
Elizabeth Atterbury
Happy Sunny Jade
2017 9.9–10.20
Julien Creuzet
Hiding behind the foliage. Search for Mygalia
2014 6.6–7.26
Marco Braunschweiler
I want to be an honest man and a good writer.
2012 11.9–11.11
Robert Chase Heishman and Megan Schvaneveldt
ibid.
2017 11.3–12.23
Andy Cahill
Icons and Rituals
2012 9.7–10.20
Eric Fleischauer
In Circulation
2020 7.10–8.29
Elizabeth Atterbury, Geraldo de Barros, Jessica Campbell, Mary Helena Clark, Julien Creuzet, Victoria Fu, Aron Gent, Gordon Hall, Jennefer Hoffman, Norman Kelley, Sterling Lawrence, Laura Letinsky, Christy Matson, Christopher Meerdo, Jonathan Muecke, Erin Jane Nelson, Gordon Parks, Sara Greenberger Rafferty, RO/LU, Paul Mpagi Sepuya, Greg Stimac, Andrew Norman Wilson
Interiors
2019 6.7–7.27
John Opera
John Opera
2020 11.19–12.30
Julien Creuzet
cloud cloudy glory doodles on the leaves pages, memory slowly the story redness sadness bloody redness on the skin
2021 2.26–4.10
Katy Cowan
winds glow unceasing
2022 4.30–6.18
Kiah Celeste
All the best, Kiah Celeste
2019 1.11–2.23
Andrew Norman Wilson
Kodak
2022 6.24–8.13
Laura Letinsky
The indignation of counting spiders
2018 1.6–2.17
Mary Helena Clark
Ligature
2024 11.8–2025 2.1
Claude Viallat
LISBON | Peintures
2023 1.20–5.20
John Opera
LISBON | Blue Dream
2024 2.2–5.18
Kazuhito Tanaka
LISBON | Picture(s)
2023 5.26–7.29
Kiah Celeste
LISBON | What In The World Becomes Me
2024 9.13–11.2
Laura Letinsky
LISBON | Dirty dishes, body problems, and other conundrums
2023 8.30–11.4
Matthew Fischer, Victoria Fu, Sara Greenberger Rafferty, Mariko Makino
LISBON | Light Waves
2023 11.9–2024 1.27
Andrew Norman Wilson
LISBON | Plump Caruncles Rippling Dewlaps Dangling Snoods and Sumptuous Plumage with Piercing Eyes Sunken Ears and Shrouded Beaks
2024 5.24–8.31
Wilfrid Almendra
LISBON | The Dog's Sweat
2011 10.21–10.23
Paul Cowan and Michael Hunter
MDW Fair: Paul Cowan and Michael Hunter
2015 5.1–6.13
Derek Franklin
Meditation Furniture for Ten Minute Breaks
2014 10.24–12.6
Greg Stimac
Middle Gray
2023 6.23–8.5
Alexandra Barth, Nickola Pottinger, Carolyn Salas, Robert Zehnder
CHICAGO | Meteor
2016 9.17–11.5
Andrew Norman Wilson
Ode To Seekers
2017 1.7–2.18
Laura Letinsky, John Paul Morabito
orchidsgladiolascowsdaffodilscandywrappersyelloworangebloodredroses&shit
2017 7.14–8.26
Elizabeth Atterbury, Jude Broughan, Mary Helena Clark, James Collins, Scott Fortino, Owen Kydd, Sterling Lawrence, Laura Letinsky, Jaclyn Mednicov, Christopher Meerdo, Sara Greenberger Rafferty, Victoria Fu, Matt Rich, Alison Ruttan, Sean Snyder, Greg Stimac, Andrew Norman Wilson, Scott Wolniak
Paris, London, Hong Kong, Portland, Brooklyn, Detroit, Los Angeles, Chicago, San Diego, Oak Park, Berlin
2021 4.16–5.29
Paul Mpagi Sepuya
Stage
2015 3.13–4.25
Erin Jane Nelson
Petrichor
2012 10.27–12.8
Elizabeth Atterbury
Photography Indoors
2018 9.14–10.27
Stan VanDerBeek
Poemfield
2017 9.9–10.28
Laura Letinsky
Polaroids
2017 6.3–7.8
Erin Jane Nelson
Psychopompopolis
2015 7.24–8.29
Alice Konitz, Lasse Schmidt Hansen, Sterling Lawrence
RE|PRODUCTION
2013 6.7–7.20
Owen Kydd
Regular Colors
2021 11.6–12.18
Sara Greenberger Rafferty
Views from Somewhere
2012 6.1–7.28
Andrew Norman Wilson
ScanOps
2013 2.1–3.9
Scott Cowan
Scott Cowan: New Works
2015 6.19–7.18
Phillip Maisel
Serengeti Green
2018 6.1–7.8
Sterling Lawrence
Setting Place
2014 12.12–2015 1.24
Sara Magenheimer
Soap Opera Pop Music
2022 3.5–4.23
Stan VanDerBeek
Panels for the Walls of the World: Phase I
2013 10.25–12.7
Nick Johnson
Studio Nudes
2016 3.18–5.7
Sterling Lawrence
Substitution Play
2012 8.3–8.26
Michael Pfisterer
Summer Residency
2019 9.13–11.2
Louis Cane, Noël Dolla, Claude Viallat
Supports/Surfaces: Objects of Knowledge
2017 4.15–5.27
John Opera
Technical Images
2018 11.2–12.22
Sara Greenberger Rafferty
THE LAUGHTER
2015 12.11–2016 1.23
Mary Helena Clark
The palm at the end of the mind
2019 4.19–6.1
Laura Letinsky
To Want For Nothing
2021 6.5–8.8
Tromarama
Beta
2019 11.8–12.21
Gordon Hall
Uselessness
2014 3.14–4.19
Selina Trepp
Val Verita
2015 9.3–10.17
Sean Snyder
Vertical Horizontal / Horizontal Vertical
2020 2.28–5.30
Victoria Fu
Victoria Fu
2018 2.24–4.2
Howardena Pindell
Video Drawings
2014 4.25–5.31
Thomas Killian Roach
Weling
2012 1.6–2.25
Paul Erschen
West Plaza
2016 7.9–8.27
James Collins, Rachel de Joode, Alwin Lay
What Birds Can See
|
Artist |
Exhibition |
Dates |
Type |
||||
|---|---|---|---|---|---|---|---|
|
Scott Fortino |
A Variety Show |
2013 9.6–10.19 |
Past |
 |
|||
|
Adi Goodrich and Jimmy Marble |
Adi Goodrich and Jimmy Marble |
2012 4.20–5.26 |
Past |
||||
|
Alan Cohen |
Alan Cohen |
2012 3.2–4.14 |
Past |
||||
|
Greg Stimac |
Amulet |
2019 4.19–6.1 |
Past |
 |
|||
|
Anneke Eussen |
Blank Pages |
2022 1.8–2.26 |
Past |
 |
|||
|
Christopher Meerdo |
Anthology |
2013 3.15–4.20 |
Past |
 |
|||
|
Suara Welitoff |
Anyone Who’s Everyone |
2013 4.26–6.1 |
Past |
||||
|
Barbara Kasten |
ARCHITECTURAL FICTION |
2022 11.4–12.23 |
Past |
 |
|||
|
Christopher Meerdo |
Bundle Umbra |
2020 1.10–2.20 |
Past |
 |
|||
|
Anneke Eussen |
CHICAGO | Beyond purpose |
2024 11.1–12.21 |
Current |
 |
|||
|
Anya Kielar |
CHICAGO | Madam |
2023 4.28–6.17 |
Past |
 |
|||
|
Erin Jane Nelson |
CHICAGO | Undersight |
2024 6.7–8.3 |
Past |
 |
|||
|
Elizabeth Atterbury, Anneke Eussen, Gordon Hall, Erin Jane Nelson, Paul Mpagi Sepuya, Pedro Vaz |
CHICAGO | EXHIBIT A |
2024 1.5–2.17 |
Past |
 |
|||
|
Jimmy DeSana |
CHICAGO | Suburban |
2023 9.8–10.28 |
Past |
 |
|||
|
John Opera |
CHICAGO | The Observers |
2023 1.6–2.25 |
Past |
 |
|||
|
Meg Lipke |
CHICAGO | Moon Tempo |
2023 3.3–4.22 |
Past |
 |
|||
|
Natani Notah |
CHICAGO | Thoughts on Being Thrown |
2023 11.3–12.23 |
Past |
 |
|||
|
Paul Mpagi Sepuya |
CHICAGO | Infinite Like Night |
2024 4.12–6.1 |
Past |
 |
|||
|
Sara Greenberger Rafferty |
CHICAGO | An Audience |
2024 2.23–4.6 |
Past |
 |
|||
|
Tromarama |
CHICAGO | Auto Ally |
2024 9.6–10.26 |
Past |
 |
|||
|
Claude Viallat |
Claude Viallat |
2021 9.10–10.30 |
Past |
 |
|||
|
John Opera, Sterling Lawrence, Mary Helena Clark |
Condo NY 2019 |
2019 6.27–7.26 |
Past |
 |
|||
|
Victoria Fu |
Crossbar Radical-Tick Scoop Star |
2014 1.31–3.8 |
Past |
 |
|||
|
Paul Mpagi Sepuya |
Dark Room |
2018 4.13–5.26 |
Past |
 |
|||
|
Sara Greenberger Rafferty |
Dead Jokes |
2016 11.11–12.23 |
Past |
 |
|||
|
Georgia Wall |
Dedication to this View |
2012 12.14–2013 1.26 |
Past |
||||
|
Natani Notah, John Opera, Sara Greenberger Rafferty, Kazuhito Tanaka, Pedro Vaz |
QUEENS, NY | Cosmic Disco |
2024 7.11–8.16 |
Past |
 |
|||
|
Elizabeth Atterbury, James Collins, Sterling Lawrence |
DOCUMENT at Et Al Gallery in San Francisco |
2016 11.4–12.3 |
Past |
 |
|||
|
Elizabeth Atterbury |
Letters and Souvenirs |
2021 1.8–2.20 |
Past |
 |
|||
|
Erin Jane Nelson |
Resting Spore |
2020 9.11–10.31 |
Past |
 |
|||
|
Christopher Meerdo |
Erythrocyte Ghosts Filled with Quantum Dots Improve Cryogenics with Microarea Custom Freeze Thaw |
2016 1.29–3.12 |
Past |
 |
|||
|
Paul Mpagi Sepuya |
Figures / Grounds / Studies |
2015 10.24–12.5 |
Past |
 |
|||
|
Sterling Lawrence, Christalena Hughmanick |
Form Without a Room |
2014 9.5–10.18 |
Past |
 |
|||
|
Geraldo de Barros |
Fortunately, there are remains |
2017 2.25–4.8 |
Past |
 |
|||
|
Elizabeth Atterbury, Gordon Hall, Hương Ngô, Em Rooney |
Friend of a Friend |
2018 7.13–8.18 |
Past |
 |
|||
|
B. Ingrid Olson |
From her come a gang and a run |
2013 12.14–2014 1.25 |
Past |
 |
|||
|
Marcus Geiger, Margaret Welsh |
Geiger/Welsh |
2015 1.30–3.7 |
Past |
 |
|||
|
Geraldo de Barros |
Geraldo de Barros |
2019 3.1–4.13 |
Past |
 |
|||
|
Gordon Hall |
TURN BACK |
2022 9.17–10.29 |
Past |
 |
|||
|
Elizabeth Atterbury |
Happy Sunny Jade |
2016 5.14–6.25 |
Past |
 |
|||
|
Julien Creuzet |
Hiding behind the foliage. Search for Mygalia |
2017 9.9–10.20 |
Past |
 |
|||
|
Marco Braunschweiler |
I want to be an honest man and a good writer. |
2014 6.6–7.26 |
Past |
 |
|||
|
Robert Chase Heishman and Megan Schvaneveldt |
ibid. |
2012 11.9–11.11 |
Past |
||||
|
Andy Cahill |
Icons and Rituals |
2017 11.3–12.23 |
Past |
 |
|||
|
Eric Fleischauer |
In Circulation |
2012 9.7–10.20 |
Past |
 |
|||
|
Elizabeth Atterbury, Geraldo de Barros, Jessica Campbell, Mary Helena Clark, Julien Creuzet, Victoria Fu, Aron Gent, Gordon Hall, Jennefer Hoffman, Norman Kelley, Sterling Lawrence, Laura Letinsky, Christy Matson, Christopher Meerdo, Jonathan Muecke, Erin Jane Nelson, Gordon Parks, Sara Greenberger Rafferty, RO/LU, Paul Mpagi Sepuya, Greg Stimac, Andrew Norman Wilson |
Interiors |
2020 7.10–8.29 |
Past |
 |
|||
|
John Opera |
John Opera |
2019 6.7–7.27 |
Past |
 |
|||
|
Julien Creuzet |
cloud cloudy glory doodles on the leaves pages, memory slowly the story redness sadness bloody redness on the skin |
2020 11.19–12.30 |
Past |
 |
|||
|
Katy Cowan |
winds glow unceasing |
2021 2.26–4.10 |
Past |
 |
|||
|
Kiah Celeste |
All the best, Kiah Celeste |
2022 4.30–6.18 |
Past |
 |
|||
|
Andrew Norman Wilson |
Kodak |
2019 1.11–2.23 |
Past |
 |
|||
|
Laura Letinsky |
The indignation of counting spiders |
2022 6.24–8.13 |
Past |
 |
|||
|
Mary Helena Clark |
Ligature |
2018 1.6–2.17 |
Past |
 |
|||
|
Claude Viallat |
LISBON | Peintures |
2024 11.8–2025 2.1 |
Current |
 |
|||
|
John Opera |
LISBON | Blue Dream |
2023 1.20–5.20 |
Past |
 |
|||
|
Kazuhito Tanaka |
LISBON | Picture(s) |
2024 2.2–5.18 |
Past |
 |
|||
|
Kiah Celeste |
LISBON | What In The World Becomes Me |
2023 5.26–7.29 |
Past |
 |
|||
|
Laura Letinsky |
LISBON | Dirty dishes, body problems, and other conundrums |
2024 9.13–11.2 |
Past |
 |
|||
|
Matthew Fischer, Victoria Fu, Sara Greenberger Rafferty, Mariko Makino |
LISBON | Light Waves |
2023 8.30–11.4 |
Past |
 |
|||
|
Andrew Norman Wilson |
LISBON | Plump Caruncles Rippling Dewlaps Dangling Snoods and Sumptuous Plumage with Piercing Eyes Sunken Ears and Shrouded Beaks |
2023 11.9–2024 1.27 |
Past |
 |
|||
|
Wilfrid Almendra |
LISBON | The Dog's Sweat |
2024 5.24–8.31 |
Past |
 |
|||
|
Paul Cowan and Michael Hunter |
MDW Fair: Paul Cowan and Michael Hunter |
2011 10.21–10.23 |
Past |
||||
|
Derek Franklin |
Meditation Furniture for Ten Minute Breaks |
2015 5.1–6.13 |
Past |
 |
|||
|
Greg Stimac |
Middle Gray |
2014 10.24–12.6 |
Past |
 |
|||
|
Alexandra Barth, Nickola Pottinger, Carolyn Salas, Robert Zehnder |
CHICAGO | Meteor |
2023 6.23–8.5 |
Past |
 |
|||
|
Andrew Norman Wilson |
Ode To Seekers |
2016 9.17–11.5 |
Past |
 |
|||
|
Laura Letinsky, John Paul Morabito |
orchidsgladiolascowsdaffodilscandywrappersyelloworangebloodredroses&shit |
2017 1.7–2.18 |
Past |
 |
|||
|
Elizabeth Atterbury, Jude Broughan, Mary Helena Clark, James Collins, Scott Fortino, Owen Kydd, Sterling Lawrence, Laura Letinsky, Jaclyn Mednicov, Christopher Meerdo, Sara Greenberger Rafferty, Victoria Fu, Matt Rich, Alison Ruttan, Sean Snyder, Greg Stimac, Andrew Norman Wilson, Scott Wolniak |
Paris, London, Hong Kong, Portland, Brooklyn, Detroit, Los Angeles, Chicago, San Diego, Oak Park, Berlin |
2017 7.14–8.26 |
Past |
 |
|||
|
Paul Mpagi Sepuya |
Stage |
2021 4.16–5.29 |
Past |
 |
|||
|
Erin Jane Nelson |
Petrichor |
2015 3.13–4.25 |
Past |
 |
|||
|
Elizabeth Atterbury |
Photography Indoors |
2012 10.27–12.8 |
Past |
 |
|||
|
Stan VanDerBeek |
Poemfield |
2018 9.14–10.27 |
Past |
 |
|||
|
Laura Letinsky |
Polaroids |
2017 9.9–10.28 |
Past |
 |
|||
|
Erin Jane Nelson |
Psychopompopolis |
2017 6.3–7.8 |
Past |
 |
|||
|
Alice Konitz, Lasse Schmidt Hansen, Sterling Lawrence |
RE|PRODUCTION |
2015 7.24–8.29 |
Past |
 |
|||
|
Owen Kydd |
Regular Colors |
2013 6.7–7.20 |
Past |
 |
|||
|
Sara Greenberger Rafferty |
Views from Somewhere |
2021 11.6–12.18 |
Past |
 |
|||
|
Andrew Norman Wilson |
ScanOps |
2012 6.1–7.28 |
Past |
 |
|||
|
Scott Cowan |
Scott Cowan: New Works |
2013 2.1–3.9 |
Past |
 |
|||
|
Phillip Maisel |
Serengeti Green |
2015 6.19–7.18 |
Past |
 |
|||
|
Sterling Lawrence |
Setting Place |
2018 6.1–7.8 |
Past |
 |
|||
|
Sara Magenheimer |
Soap Opera Pop Music |
2014 12.12–2015 1.24 |
Past |
 |
|||
|
Stan VanDerBeek |
Panels for the Walls of the World: Phase I |
2022 3.5–4.23 |
Past |
 |
|||
|
Nick Johnson |
Studio Nudes |
2013 10.25–12.7 |
Past |
 |
|||
|
Sterling Lawrence |
Substitution Play |
2016 3.18–5.7 |
Past |
 |
|||
|
Michael Pfisterer |
Summer Residency |
2012 8.3–8.26 |
Past |
 |
|||
|
Louis Cane, Noël Dolla, Claude Viallat |
Supports/Surfaces: Objects of Knowledge |
2019 9.13–11.2 |
Past |
 |
|||
|
John Opera |
Technical Images |
2017 4.15–5.27 |
Past |
 |
|||
|
Sara Greenberger Rafferty |
THE LAUGHTER |
2018 11.2–12.22 |
Past |
 |
|||
|
Mary Helena Clark |
The palm at the end of the mind |
2015 12.11–2016 1.23 |
Past |
 |
|||
|
Laura Letinsky |
To Want For Nothing |
2019 4.19–6.1 |
Past |
 |
|||
|
Tromarama |
Beta |
2021 6.5–8.8 |
Past |
 |
|||
|
Gordon Hall |
Uselessness |
2019 11.8–12.21 |
Past |
 |
|||
|
Selina Trepp |
Val Verita |
2014 3.14–4.19 |
Past |
 |
|||
|
Sean Snyder |
Vertical Horizontal / Horizontal Vertical |
2015 9.3–10.17 |
Past |
 |
|||
|
Victoria Fu |
Victoria Fu |
2020 2.28–5.30 |
Past |
||||
|
Howardena Pindell |
Video Drawings |
2018 2.24–4.2 |
Past |
 |
|||
|
Thomas Killian Roach |
Weling |
2014 4.25–5.31 |
Past |
 |
|||
|
Paul Erschen |
West Plaza |
2012 1.6–2.25 |
Past |
||||
|
James Collins, Rachel de Joode, Alwin Lay |
What Birds Can See |
2016 7.9–8.27 |
Past |
 |
|||