Sterling Lawrence (1980, OR,) currently lives and works in Chicago where he received a MFA from the School of the Art Institute of Chicago. Sterling has had solo exhibitions with Devening Projects (2013), Chicago; Tony Wight Gallery (2011), Chicago; and has been included in group exhibitions at Tiger Strikes Asteroid, New York (2019); DePaul Art Museum (2017), Illinois State Museum (2017), Et al., San Francisco (2016); Scotty Enterprises, Berlin; Soloway, NY (2014); Columbia College, Chicago; Devening Projects, Chicago; and New Capital via Forever and Always, Chicago. Selected Projects include OVERIDE / a billboard project with Expo Chicago (2016); Edition works for The Society for Contemporary Art Gala (2014)
Sterling Lawrence, Palms Down, 2019, Aluminum and acrylic paint, 24 1/2h x 18w x 2d in
Sterling Lawrence, Shadow Briefs and Hook, 2019, Aluminum and acrylic paint, 24 1/2h x 22 1/2w x 1 1/2d in
Sterling Lawrence, Spatial Negative, 2019, Aluminum and acrylic paint, 24h x 17 1/2w x 1 1/2d in
Sterling Lawrence, Gardens Gate, 2019, Aluminum and acrylic paint, 24 1/2h x 18 1/4w x 1d in
Sterling Lawrence, Folded Attention, 2019, Aluminum and acrylic paint, 24h x 18 1/2w x 2 3/4d in
Sterling Lawrence, Chair, 2018, Epoxy and wood, 37h x 36w x 38d in
Sterling Lawrence, Mirror & Groove left & Groove and Mirror Right, 2018, Aluminum, acrylic two way mirror, natural gum rubber, 36h x 48w x 2d in
Sterling Lawrence, Field Pairing, 2018, Urethane rubber, formica, dibond, 48h x 36w x 6d in
Sterling Lawrence, Sight Lines, 2018, Aluminum and acrylic paint, 48h x 37w x 2d in
Sterling Lawrence, Tracing Idioms Contour, 2018, Natural hair, urethane rubber, cups, mirror, Two 41x72 inches casted urethane blankets and one 5’10” 165 pound urethane body
Sterling Lawrence, Pastoral Banquet, 2018, Urethane rubber, Formica, mirror, Dibond, acrylic and aluminum, 80h x 48w x 1/2d in
Slouching towards description, Wood, paint, inkjet print on back lit film 25 x 19 x 31 in, 2017
Sterling Lawrence, Frequency and Repletion Aluminum 24 x 15 x 30in 2017
Checkered history, Aluminum, frosted acrylic, archival inkjet print, polymer 24 x 17 x 27 in, 2017
Sterling Lawrence, .25 .50, 2018
Casting Elbows 1.3, 2015 Polyurethane and aluminum, 12 x 12 x 4 in
Strap illustration version one, 2015 Rubber, hardware and aluminum pipe, 58 x 60 in
Strap illustration version two, 2015 Rubber, hardware and aluminum pipe, 60 x 100 in
fACED lunch tray version 2, 2016 Formed plastic and rubber stoppers, 19 x 11 in
Sterling Lawrence-2016_DSC1528
Sterling Lawrence, Palms Down, 2019, Aluminum and acrylic paint, 24 1/2h x 18w x 2d in
Sterling Lawrence, Shadow Briefs and Hook, 2019, Aluminum and acrylic paint, 24 1/2h x 22 1/2w x 1 1/2d in
Sterling Lawrence, Spatial Negative, 2019, Aluminum and acrylic paint, 24h x 17 1/2w x 1 1/2d in
Sterling Lawrence, Gardens Gate, 2019, Aluminum and acrylic paint, 24 1/2h x 18 1/4w x 1d in
Sterling Lawrence, Folded Attention, 2019, Aluminum and acrylic paint, 24h x 18 1/2w x 2 3/4d in
Sterling Lawrence, Chair, 2018, Epoxy and wood, 37h x 36w x 38d in
Sterling Lawrence, Mirror & Groove left & Groove and Mirror Right, 2018, Aluminum, acrylic two way mirror, natural gum rubber, 36h x 48w x 2d in
Sterling Lawrence, Field Pairing, 2018, Urethane rubber, formica, dibond, 48h x 36w x 6d in
Sterling Lawrence, Sight Lines, 2018, Aluminum and acrylic paint, 48h x 37w x 2d in
Sterling Lawrence, Tracing Idioms Contour, 2018, Natural hair, urethane rubber, cups, mirror, Two 41x72 inches casted urethane blankets and one 5’10” 165 pound urethane body
Sterling Lawrence, Pastoral Banquet, 2018, Urethane rubber, Formica, mirror, Dibond, acrylic and aluminum, 80h x 48w x 1/2d in
Slouching towards description, Wood, paint, inkjet print on back lit film 25 x 19 x 31 in, 2017
Sterling Lawrence, Frequency and Repletion Aluminum 24 x 15 x 30in 2017
Checkered history, Aluminum, frosted acrylic, archival inkjet print, polymer 24 x 17 x 27 in, 2017
Sterling Lawrence, .25 .50, 2018
Casting Elbows 1.3, 2015 Polyurethane and aluminum, 12 x 12 x 4 in
Strap illustration version one, 2015 Rubber, hardware and aluminum pipe, 58 x 60 in
Strap illustration version two, 2015 Rubber, hardware and aluminum pipe, 60 x 100 in
fACED lunch tray version 2, 2016 Formed plastic and rubber stoppers, 19 x 11 in
Sterling Lawrence-2016_DSC1528
2020 6.30
Group exhibition at Elmhurst Art Museum
Sterling Lawrence
2020 5.20
Participation in NADAs online art fair initiative: FAIR
Elizabeth Atterbury, Sterling Lawrence, Erin Jane Nelson, Paul Mpagi Sepuya
2020 7.10–8.29
Elizabeth Atterbury, Geraldo de Barros, Jessica Campbell, Mary Helena Clark, Julien Creuzet, Victoria Fu, Aron Gent, Gordon Hall, Jennefer Hoffman, Norman Kelley, Sterling Lawrence, Laura Letinsky, Christy Matson, Christopher Meerdo, Jonathan Muecke, Erin Jane Nelson, Gordon Parks, Sara Greenberger Rafferty, RO/LU, Paul Mpagi Sepuya, Greg Stimac, Andrew Norman Wilson
Interiors
2019 6.27–7.26
John Opera, Sterling Lawrence, Mary Helena Clark
Condo NY 2019
2018 6.1–7.8
Sterling Lawrence
Setting Place
2017 7.14–8.26
Elizabeth Atterbury, Jude Broughan, Mary Helena Clark, James Collins, Scott Fortino, Owen Kydd, Sterling Lawrence, Laura Letinsky, Jaclyn Mednicov, Christopher Meerdo, Sara Greenberger Rafferty, Victoria Fu, Matt Rich, Alison Ruttan, Sean Snyder, Greg Stimac, Andrew Norman Wilson, Scott Wolniak
Paris, London, Hong Kong, Portland, Brooklyn, Detroit, Los Angeles, Chicago, San Diego, Oak Park, Berlin
2016 11.4–12.3
Elizabeth Atterbury, James Collins, Sterling Lawrence
DOCUMENT at Et Al Gallery in San Francisco
2016 3.18–5.7
Sterling Lawrence
Substitution Play
2015 7.24–8.29
Alice Konitz, Lasse Schmidt Hansen, Sterling Lawrence
RE|PRODUCTION
2014 9.5–10.18
Sterling Lawrence, Christalena Hughmanick
Form Without a Room
|
Artist |
Exhibition |
Dates |
Type |
||||
|---|---|---|---|---|---|---|---|
|
Elizabeth Atterbury, Geraldo de Barros, Jessica Campbell, Mary Helena Clark, Julien Creuzet, Victoria Fu, Aron Gent, Gordon Hall, Jennefer Hoffman, Norman Kelley, Sterling Lawrence, Laura Letinsky, Christy Matson, Christopher Meerdo, Jonathan Muecke, Erin Jane Nelson, Gordon Parks, Sara Greenberger Rafferty, RO/LU, Paul Mpagi Sepuya, Greg Stimac, Andrew Norman Wilson |
Interiors |
2020 7.10–8.29 |
Past |
 |
|||
|
John Opera, Sterling Lawrence, Mary Helena Clark |
Condo NY 2019 |
2019 6.27–7.26 |
Past |
 |
|||
|
Sterling Lawrence |
Setting Place |
2018 6.1–7.8 |
Past |
 |
|||
|
Elizabeth Atterbury, Jude Broughan, Mary Helena Clark, James Collins, Scott Fortino, Owen Kydd, Sterling Lawrence, Laura Letinsky, Jaclyn Mednicov, Christopher Meerdo, Sara Greenberger Rafferty, Victoria Fu, Matt Rich, Alison Ruttan, Sean Snyder, Greg Stimac, Andrew Norman Wilson, Scott Wolniak |
Paris, London, Hong Kong, Portland, Brooklyn, Detroit, Los Angeles, Chicago, San Diego, Oak Park, Berlin |
2017 7.14–8.26 |
Past |
 |
|||
|
Elizabeth Atterbury, James Collins, Sterling Lawrence |
DOCUMENT at Et Al Gallery in San Francisco |
2016 11.4–12.3 |
Past |
 |
|||
|
Sterling Lawrence |
Substitution Play |
2016 3.18–5.7 |
Past |
 |
|||
|
Alice Konitz, Lasse Schmidt Hansen, Sterling Lawrence |
RE|PRODUCTION |
2015 7.24–8.29 |
Past |
 |
|||
|
Sterling Lawrence, Christalena Hughmanick |
Form Without a Room |
2014 9.5–10.18 |
Past |
 |
|||
