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Reception: Friday, November 8, 5-8pm

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Sterling Lawrence

Sterling Lawrence (1980, OR,) currently lives and works in Chicago where he received a MFA from the School of the Art Institute of Chicago. Sterling has had solo exhibitions with Devening Projects (2013), Chicago; Tony Wight Gallery (2011), Chicago; and has been included in group exhibitions at Tiger Strikes Asteroid, New York (2019); DePaul Art Museum (2017), Illinois State Museum (2017), Et al., San Francisco (2016); Scotty Enterprises, Berlin; Soloway, NY (2014); Columbia College, Chicago; Devening Projects, Chicago; and New Capital via Forever and Always, Chicago. Selected Projects include OVERIDE / a billboard project with Expo Chicago (2016); Edition works for The Society for Contemporary Art Gala (2014)

Sterling Lawrence, Stretched Witness, 2019, Aluminum and acrylic paint, 24h x 18 1/2w x 1d in

Sterling Lawrence, Palms Down, 2019, Aluminum and acrylic paint, 24 1/2h x 18w x 2d in

Sterling Lawrence, Shadow Briefs and Hook, 2019, Aluminum and acrylic paint, 24 1/2h x 22 1/2w x 1 1/2d in

Sterling Lawrence, Spatial Negative, 2019, Aluminum and acrylic paint, 24h x 17 1/2w x 1 1/2d in

Sterling Lawrence, Gardens Gate, 2019, Aluminum and acrylic paint, 24 1/2h x 18 1/4w x 1d in

Sterling Lawrence, Folded Attention, 2019, Aluminum and acrylic paint, 24h x 18 1/2w x 2 3/4d in

Sterling Lawrence, Chair, 2018, Epoxy and wood, 37h x 36w x 38d in

Sterling Lawrence, Mirror & Groove left & Groove and Mirror Right, 2018, Aluminum, acrylic two way mirror, natural gum rubber, 36h x 48w x 2d in

Sterling Lawrence, Field Pairing, 2018, Urethane rubber, formica, dibond, 48h x 36w x 6d in

Sterling Lawrence, Sight Lines, 2018, Aluminum and acrylic paint, 48h x 37w x 2d in

Sterling Lawrence, Tracing Idioms Contour, 2018, Natural hair, urethane rubber, cups, mirror, Two 41x72 inches casted urethane blankets and one 5’10” 165 pound urethane body

Sterling Lawrence, Tracing Idioms Contour, 2018, Natural hair, urethane rubber, cups, mirror, Two 41x72 inches casted urethane blankets and one 5’10” 165 pound urethane body (detail)

Sterling Lawrence, Pastoral Banquet, 2018, Urethane rubber, Formica, mirror, Dibond, acrylic and aluminum, 80h x 48w x 1/2d in

Slouching towards description, Wood, paint, inkjet print on back lit film 25 x 19 x 31 in, 2017

Checkered history, Aluminum, frosted acrylic, archival inkjet print, polymer 24 x 17 x 27 in, 2017

Side table, 2016 Aluminum and plexiglas 34 x 36 x 12 in

Cone, 2016 wood and formica 9 1/4 x 18 1/4 x 8 1/4 in

Cabinet, 2016 Aluminum and plexiglas 36 1/4 x 45 1/2 x 2 in

Sterling Lawrence, .25 .50, 2018

Screen, 2016 Aluminum, plexiglas and hooks 58 x 33 x 10 in

Temporary Wall Structure 1, 2, 3, 4, 2016 Archival pigment print on backlit film mounted to acrylic 96 x 35 in (each panel)

Tone / Half Tone 1 and Tone / Half Tone 2, 2016 Aluminum, acrylic paint and fabric 36 x 30 x 2 1/2 in (each)

Fielding Elbow, 2016 Polyurethane and aluminum 35 x 46 x 3 1/2 in

Fielding Elbow, 2016 (detail) Polyurethane and aluminum 35 x 46 x 3 1/2 in

Casting Elbows 1.3, 2015 Polyurethane and aluminum, 12 x 12 x 4 in

Rack 03, 2015, Rubber, Aluminum and Hardware, 70 x 17 x 25 1/2 in

Sterling Lawrence, "Rack 03" (detail shot), 2015, Rubber, aluminum and hardware, 70 x 17 x 25 1/2 in

Strap illustration version one, 2015 Rubber, hardware and aluminum pipe, 58 x 60 in

Strap illustration version one, 2015 Rubber, hardware and aluminum pipe, 58 x 60 in

Strap illustration version one, 2015 (detail)

Strap illustration version two, 2015 Rubber, hardware and aluminum pipe, 60 x 100 in

fACED lunch tray version 2, 2016 Formed plastic and rubber stoppers, 19 x 11 in

Impression caption fig.1, 2016 Inkjet print on formed plastic 22 1/2 x 14 in

Impression caption fig. 1, Inkjet print on formed plastic, 19 x 11 in. 2016

Sterling Lawrence, Cover for a Preface 1, 2016

Sterling Lawrence, Cover for a Preface 2, 2016

Sterling Lawrence, Proposed Service Window as a Mirror of its Former Self 1.2, 2016

Sterling Lawrence, Proposed Service Window as a Mirror of its Former Self 1, 2016

Sterling Lawrence, Residual Gaze of a Once Ritual Glow, Gradient 145, 2016

Paul Mpagi Sepuya
Drop Scene Study (0X5A1114), 2018
Archival Pigment Print
50h x 75w in

DOCUMENT at Art Basel Miami Beach 2019

December 5 – December 8, 2019

 

We are pleased to announce our participation in Art Basel Miami 2019 with a solo booth by Paul Mpagi Sepuya. Find as in Booth P12. The fair will run from Wednesday, December 5th to Sunday, December 8th, 2019.

Owner
Aron Gent
aron@documentspace.com
Director
Sibylle Friche
sibylle@documentspace.com
Gallery and Print Studio Associate
Cody Schlabaugh
info@documentspace.com

Gallery hours:
Tuesday-Saturday: 11am-6pm

Private Works Login
DOCUMENT is a commercial gallery located in Chicago that specializes in contemporary photography, film and media based art. The gallery has organized more than 50 solo exhibitions since its opening in 2012 and actively promotes the work of emerging national and international artists.Since 2016, DOCUMENT started exhibiting historical artists and has continued to anchor its program in a conversation between emerging voices and established figures. Operating conjointly as a professional printmaking studio, DOCUMENT facilitates the production of works by artists from Chicago and the US. The production studio allows some of the gallery artists to collaborate with DOCUMENT in both their exhibitions and their daily artistic practice by being in constant conversation about the realization and processes in their work.
At this time we do not accept unsolicited submissions.