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Document is pleased to present The palm at the end of the mind, a new body of work by Mary Helena Clark. The exhibition opens on December 11th, 2015 with a reception from 5-8pm, and will continue through January 23rd, 2016.

Poet-filmmaker-theorist Dziga Vertov jumps off of the roof of his summer home. Vertov has his cameraman film the leap in an attempt to capture his “real thoughts” while falling. Coming from a history of motion studies, the camera shifts its focus from the recording of an action– the falling figure– to a record of the invisible. Of the film experiment, poet Susan Howe writes, Is it sense perception or depiction I see ‘thinking’?

The palm at the end of the mind proposes another kind of exercise: one that speculates a new body through new ways of seeing rather than attempting to translate the inner-workings of one.

On monitors, students of the Sanford Meisner school of acting play extremes of human feeling. The tenet of Meisner’s teachings is to live truthfully under imaginary circumstances. In close-up, the figures are captured in momentary engrossment as they fall in and out of character. At the center of the exhibition is Palms, a film constructed in four parts, each moving further away from a human subjectivity. Alluding to a state of disembodiment, the film’s images arrive like thoughts. In this way, Palms skirts an expected relationship with its subjects, encountering them as both agents of and extractions from the real world. Here our vision is monocular, collapsing figure and ground.

Mary Helena Clark (born 1983, USA) lives and works in central New York. Her work has been exhibited and screened nationally and internationally, including presentations at the Swedish Film Institute (Stockholm), The Gene Siskel Film Center (Chicago), the Museum of Contemporary Photography (Chicago), the Wexner Center for the Arts (Columbus, OH), Anthology Film Archives (New York), the Yerba Buena Center (San Francisco), the National Gallery of Art (Washington) and at the New York, London and Toronto International Film Festivals. She has curated film programs for Altman Siegel Gallery, NYC, and The Nightingale, Chicago, among other venues.

Watch Palms here

Watch an exerpt of Untitled (Meisner technique) here

Elizabeth Atterbury

Elizabeth Atterbury (born 1982, West Palm Beach, FL) lives and works in Portland, Maine. Recent solo and group shows include The Colby College Museum of Art, Waterville; kijidome, Boston; Document, Chicago; TSA, Brooklyn; Bodega, Philadelphia/New York; KANSAS, New York; and The ICA at Maine College of Art, Portland, among others. In the Middle, An Oasis, a monograph of her work, was published by Bodega Press in 2013. She received her BA from Hampshire College and her MFA from MassArt.

The Well, The Wall, 2016 Silver gelatin print 20 x 24 in

The Well, The Wall II, 2016 Silver gelatin print 20 x 24 in

Beach Woks (Marks of a Tool II), 2016 Silver gelatin print 20 x 24 in

Still Life with Popcorn and Pits, 2016 Silver gelatin print 11 x 14 in

Logogram III, 2016 Silver gelatin print 20 x 24 in

Logogram II, 2016 Silver gelatin print 20 x 24 in

Logogram I, 2016 Silver gelatin print 20 x 24 in

Sunny Side, FL (Tomb), 2016 Enamel paint, steel 12 x 7 1/2 x 5 1/2 in

Sunny Side, FL (The Cut), 2016 Enamel paint, steel 13 1/2 x 28 1/2 x 1 1/4 in

Sunny Side, FL (Sunset Hedge), 2016 Enamel paint, steel 1 1/2 x 16 x 2 1/2 in

Sunny Side, FL (Small House), 2016 Enamel paint, steel 1 x 16 3/4 x 14 1/2 in

Sunny Side, FL (Bull Shark), 2016 Enamel paint, steel 2 1/2 x 18 x 1 1/2 in

Sunny Side, FL (Paper Cut / Hedge), 2016 Enamel paint, steel 10 x 9 x 1 3/4 in

Sunny Side, FL (Noguchi's Intetra, Mist Fountain), 2016 Enamel paint, steel 11 x 9 1/2 x 9 1/2 in

Sunny Side, FL (Lawn), 2016 Enamel paint, steel 9 x 9 in

Sunny Side, FL (Big House), 2016 Enamel paint, steel 16 x 18 x 6 in

Sunny Side, FL (Palms), 2015 Enamel paint, steel 17 1/2 x 11 x 16 in

Relief (China White), 2015 Plywood and paint 33 x 48 x 1 3/4 in

Moonlight on the river, 2014, chromogenic print 14 x 11 in

Slow Song, 2014, chromogenic print 14 x 11 in

Marks of a tool, 2014, silver gelatin print 11 x 14 in

Rake, 2014, Silver gelatin print 24h x 20w in

Ghost Tracks, 2014, Silver gelatin print 24h x 20w in

Black Beach, 2014, silver gelatin print 14 x 11 in.

Bones, 2014 Silver gelatin print 11 x 14 in

Glyphs II, 2014 Silver gelatin print 11 x 14 in

Glyphs, 2014 Silver gelatin print 11 x 14 in

Site, 2014 Silver gelatin print 11 x 14 in

Sculpture Park, 2014 Silver gelatin print 11 x 14 in

Bricks, 2013, chromogenic print 14 x 11 in

Harry, Henri, Sal, 2013, chromogenic print 14 x 11 in

Blue runner, 2013, chromogenic print 14 x 11 in

BETWEEN THE WATERS

ERIN JANE NELSON

The Whitney Museum of American Art

Opening March 2018


This group exhibition features works by six emerging artists that address the inseparability of the natural and social worlds through a distinctly subjective or autobiographical lens. The artists included are: Carolina Caycedo (b. 1978, London; lives and works in Los Angeles, CA), Demian DinéYazhi ́(b. 1983, Gallup, NM; lives and works in Portland, OR), Torkwase Dyson (b. 1973, Chicago, IL; lives and works in Brooklyn, NY), Cy Gavin (b. 1985, Pittsburgh, PA; lives and works in New York, NY), Lena Henke (b. 1982, Warburg, Germany; lives and works New York, NY), and Erin Jane Nelson (b. 1989, Neenah, WI; lives and works in Atlanta, GA). Working in painting, sculpture, and video, these artists take environmental realities and histories of the land as a point of departure—from hydroelectric dam construction in Colombia and transatlantic underwater internet cables to Bermuda’s ecological and sociopolitical evolution—to create intuitive, sometimes fictional or fantastical narratives. In doing so, these works merge the mythical and the personal, collectively asserting the value of individual human experience while suggesting the limits of human reason.

The exhibition is organized by Elisabeth Sherman, assistant curator, and Margaret Kross, curatorial assistant.

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Owner
Aron Gent
aron@documentspace.com
Director
Sibylle Friche
sibylle@documentspace.com
General Inquiries
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DOCUMENT is a commercial gallery located in Chicago that specializes in contemporary photography, film and media based art. The gallery has organized more than 30 solo exhibitions since its opening in 2011 and actively promotes the work of emerging national and international artists. Operating conjointly as a professional printmaking studio, DOCUMENT facilitates the production of works by artists from Chicago and the US. At this time we do not accept unsolicited submissions.