Born in 1986, Julien Creuzet is a French-Caribbean artist who lives and works in Paris. A visual artist and poet, he actively intertwines these two practices via amalgams of sculpture, installation and textual intervention that frequently address his own diasporic experience. Inspired by the poetic and philosophical reflections of Aimé Césaire and Édouard Glissant on creolization and migration, Creuzet’s work focuses on the troubled intersection of the history of Martinique and the events of European modernity.
Creuzet has had solo exhibitions at Le Magasin Centre National D’Art Contemporain, Grenoble, France (2023), Performa Biennial, New York (2023), LUMA, Zürich, Switzerland (2023), LUMA, Arles, France (2022); the Camden Art Centre, London, UK (2022); Centre Pompidou, Paris, France (2021); Palais De Tokyo, Paris, France (2019); CAN Centre d’Art Neuchâtel, Neuchâtel, Switzerland (2019); Fondation d’Entreprise Ricard, Paris, France (2018); and Bétonsalon, Paris, France (2018). Creuzet represented France at the the 60th Venice Biennale (2024).
He has participated in numerous institutional group exhibitions including the 35th São Paulo Bienal (2023), São Paulo, Brazil; the 12th Liverpool Biennial, Liverpool, UK (2023), the Museum of Contemporary Art Chicago, Chicago, IL (2022-2023); Musée Tinguely, Basel, Switzerland (2022); the National Gallery of Prague, Czech Republic, (2022); Wesleyan University Center for the Arts, Middletown, CT (2021); Manifesta 13, Marseille, France (2020); Musée d’Art Moderne de Paris, Paris, France (2020); Kampala Biennale, Kampala, Uganda (2018); and Gwangju Biennale, Gwangju, South Korea (2018).
He is included in the collections of the Centre Pompidou, Paris; Centre national des arts plastiques, Paris; MMK Museum für Moderne Kunst, Frankfurt; Fondation Villa Datris, L’Isle-sur-la-Sorgue; Fondation d’entreprise Galeries Lafayette, Paris; Fonds d’art Contemporain, Paris; FRAC Fonds régionaux d’art contemporain, Bourgogne, Champagne-Ardenne, Grand Large, Ile-de-France, Méca, Pays de la Loire; Carré d’Art-Musée d’art contemporain, Nîmes; KADIST Foundation, Paris; Yale University Art Gallery, New Haven, CT; Hessel Museum of Art, CCS Bard, Annandale-on-Hudson, NY, among others.
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Corps Aquatique, Anse Grosse Roche, 2024. Metal, acrylic paint, textile threads, plastic; 92 1/2 x 113 x 4 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Corps Aquatique, Anse Moustique, 2024. Metal, acrylic paint, textile threads, plastic; 113 x 103 1/4 x 4 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Portal, Flower, 2024. Wood, roucou, acrylic paint; 109 x 57 3/4 x 2 3/4 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Shékéré, clef double, cloches, perles bleues, 2024. Resin, fibreglass, paint, patina, metal, plastic, threads, pearls; 78 3/4 x 21 1/4 x 20 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Fleur de Balisier, Morne Sulpice, 2024. Metal, acrylic, threads, plastic; 104 3/4 x 35 3/4 x 2 3/4 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Fleur de Balisier, Morne l’Enfer, 2024. Metal, acrylic, threads, plastic; 68 x 55 x 2 3/4 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, coquillage, Murex Ramosus, 2024. Polyamide printing, acrylic, varnish, straps; 24 1/2 x 20 1/2 x 23 1/4 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, coquillage, Harpa Major, 2024. Polyamide printing, acrylic, varnish, straps; 24 1/2 x 21 1/4 x 19 3/4 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, feuilles de Balisier, rivière Falaise, 2024. Metal, plastic, electrical wire, threads; 122 x 85 1/2 x 23 1/2 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, feuilles de Balisier (peinture), Case-Pilote, 2024. Metal, acrylic paint, textile threads, plastic, fabric, annatto, cable; 115 x 114 1/4 x 5 1/2 in.
Installation view of "Oh Téléphone, Oracle Noir (...)" at Le Magasin, Grenoble, France, 2023
Installation view of "Oh Téléphone, Oracle Noir (...)" at Le Magasin, Grenoble, France, 2023
Julien Creuzet
Installation view of "Oh Téléphone, Oracle Noir (...)" at Le Magasin, Grenoble, France, 2023
Julien Creuzet
"Algorithm True Blood Moves" at Performa Biennial, New York, 2023
Julien Creuzet
"Algorithm True Blood Moves" at Performa Biennial, New York, 2023
Installation view of "ZUMBI ZUMBI" at the 35th Bienal de Sao Paulo, Brazil.
Installation view of "ZUMBI ZUMBI" at the 35th Bienal de Sao Paulo, Brazil.
Installation view at LUMA Westbau, Zürich, 2023
Installation view at LUMA Westbau, Zürich, 2023
Installation view of "Orpheus was musing upon braised words..." at LUMA Arles, 2022
Installation view of "Orpheus was musing upon braised words..." at LUMA Arles, 2022
Installation view of "MOVE: Intimacy as Resistance" at the National Gallery Prague, in collaboration with the Centre Pompidou, 2022
Installation view of "MOVE: Intimacy as Resistance" at the National Gallery Prague, in collaboration with the Centre Pompidou, 2022
Installation view of "Too blue, too deep, too dark we sank..." at the Camden Art Centre, 2022
Installation view of "Too blue, too deep, too dark we sank..." at the Camden Art Centre, 2022
Installation view of "Backup, Blackness ou Négritude, bleu, vert, orange, je suis fatigué, A female Negro Slave, with a weight chaine to her Ancle, Blackness ou Négritude..." at the The Centre Pompidou, 2021
Installation view of "Backup, Blackness ou Négritude, bleu, vert, orange, je suis fatigué, A female Negro Slave, with a weight chaine to her Ancle, Blackness ou Négritude..." at the The Centre Pompidou, 2021
Installation view of "cloud cloudy glory doodles on the leaves pages, memory slowly the story redness sadness bloody redness on the skin" at DOCUMENT, 2020
Distant, the oral songs of youth buried, in the DNA of the bones, a little remnant, a little pain, we remember when walking slowly in the field of old ravaging reeds. the smell is imprinted in the most ancestral dreams, 2020. Metal, plastic, pineapple; 63 x 130 x 20 in.
Installation view of "dim lights of distant stars LEDs of warning lights indulge, lamp post embers that burn wings, mad sacrifice of the light butterfly, twilight phantom from before the birth of the world (...)
it's the uncanny, I must have been gone too long that place far away, home is in my black-dreams it's the uncanny, strangled words while drowning, I howled alone underwater, my fever (...)” at Palais de Tokyo, 2019
Installation view of "dim lights of distant stars LEDs of warning lights indulge, lamp post embers that burn wings, mad sacrifice of the light butterfly, twilight phantom from before the birth of the world (...)
it's the uncanny, I must have been gone too long that place far away, home is in my black-dreams it's the uncanny, strangled words while drowning, I howled alone underwater, my fever (...)” at Palais de Tokyo, 2019
Installation view of "dim lights of distant stars LEDs of warning lights indulge, lamp post embers that burn wings, mad sacrifice of the light butterfly, twilight phantom from before the birth of the world (...)
it's the uncanny, I must have been gone too long that place far away, home is in my black-dreams it's the uncanny, strangled words while drowning, I howled alone underwater, my fever (...)” at Palais de Tokyo, 2019
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Installation view of "Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune", French Pavilion, 60th International Art Exhibition, La Biennale di Venezia, 2024
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Corps Aquatique, Anse Grosse Roche, 2024. Metal, acrylic paint, textile threads, plastic; 92 1/2 x 113 x 4 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Corps Aquatique, Anse Moustique, 2024. Metal, acrylic paint, textile threads, plastic; 113 x 103 1/4 x 4 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Portal, Flower, 2024. Wood, roucou, acrylic paint; 109 x 57 3/4 x 2 3/4 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Shékéré, clef double, cloches, perles bleues, 2024. Resin, fibreglass, paint, patina, metal, plastic, threads, pearls; 78 3/4 x 21 1/4 x 20 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Fleur de Balisier, Morne Sulpice, 2024. Metal, acrylic, threads, plastic; 104 3/4 x 35 3/4 x 2 3/4 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Fleur de Balisier, Morne l’Enfer, 2024. Metal, acrylic, threads, plastic; 68 x 55 x 2 3/4 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, coquillage, Murex Ramosus, 2024. Polyamide printing, acrylic, varnish, straps; 24 1/2 x 20 1/2 x 23 1/4 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, coquillage, Harpa Major, 2024. Polyamide printing, acrylic, varnish, straps; 24 1/2 x 21 1/4 x 19 3/4 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, feuilles de Balisier, rivière Falaise, 2024. Metal, plastic, electrical wire, threads; 122 x 85 1/2 x 23 1/2 in.
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, feuilles de Balisier (peinture), Case-Pilote, 2024. Metal, acrylic paint, textile threads, plastic, fabric, annatto, cable; 115 x 114 1/4 x 5 1/2 in.
Installation view of "Oh Téléphone, Oracle Noir (...)" at Le Magasin, Grenoble, France, 2023
Installation view of "Oh Téléphone, Oracle Noir (...)" at Le Magasin, Grenoble, France, 2023
Julien Creuzet
Installation view of "Oh Téléphone, Oracle Noir (...)" at Le Magasin, Grenoble, France, 2023
Julien Creuzet
"Algorithm True Blood Moves" at Performa Biennial, New York, 2023
Julien Creuzet
"Algorithm True Blood Moves" at Performa Biennial, New York, 2023
Installation view of "ZUMBI ZUMBI" at the 35th Bienal de Sao Paulo, Brazil.
Installation view of "ZUMBI ZUMBI" at the 35th Bienal de Sao Paulo, Brazil.
Installation view at LUMA Westbau, Zürich, 2023
Installation view at LUMA Westbau, Zürich, 2023
Installation view of "Orpheus was musing upon braised words..." at LUMA Arles, 2022
Installation view of "Orpheus was musing upon braised words..." at LUMA Arles, 2022
Installation view of "MOVE: Intimacy as Resistance" at the National Gallery Prague, in collaboration with the Centre Pompidou, 2022
Installation view of "MOVE: Intimacy as Resistance" at the National Gallery Prague, in collaboration with the Centre Pompidou, 2022
Installation view of "Too blue, too deep, too dark we sank..." at the Camden Art Centre, 2022
Installation view of "Too blue, too deep, too dark we sank..." at the Camden Art Centre, 2022
Installation view of "Backup, Blackness ou Négritude, bleu, vert, orange, je suis fatigué, A female Negro Slave, with a weight chaine to her Ancle, Blackness ou Négritude..." at the The Centre Pompidou, 2021
Installation view of "Backup, Blackness ou Négritude, bleu, vert, orange, je suis fatigué, A female Negro Slave, with a weight chaine to her Ancle, Blackness ou Négritude..." at the The Centre Pompidou, 2021
Installation view of "cloud cloudy glory doodles on the leaves pages, memory slowly the story redness sadness bloody redness on the skin" at DOCUMENT, 2020
Distant, the oral songs of youth buried, in the DNA of the bones, a little remnant, a little pain, we remember when walking slowly in the field of old ravaging reeds. the smell is imprinted in the most ancestral dreams, 2020. Metal, plastic, pineapple; 63 x 130 x 20 in.
Installation view of "dim lights of distant stars LEDs of warning lights indulge, lamp post embers that burn wings, mad sacrifice of the light butterfly, twilight phantom from before the birth of the world (...)
it's the uncanny, I must have been gone too long that place far away, home is in my black-dreams it's the uncanny, strangled words while drowning, I howled alone underwater, my fever (...)” at Palais de Tokyo, 2019
Installation view of "dim lights of distant stars LEDs of warning lights indulge, lamp post embers that burn wings, mad sacrifice of the light butterfly, twilight phantom from before the birth of the world (...)
it's the uncanny, I must have been gone too long that place far away, home is in my black-dreams it's the uncanny, strangled words while drowning, I howled alone underwater, my fever (...)” at Palais de Tokyo, 2019
Installation view of "dim lights of distant stars LEDs of warning lights indulge, lamp post embers that burn wings, mad sacrifice of the light butterfly, twilight phantom from before the birth of the world (...)
it's the uncanny, I must have been gone too long that place far away, home is in my black-dreams it's the uncanny, strangled words while drowning, I howled alone underwater, my fever (...)” at Palais de Tokyo, 2019
2024 5.25
Press: designboom
wiry sculptures and intricate threads unravel across the venice art biennale's french pavilion
2024 4.12
Press: ArtReview
Julien Creuzet: Beyond the Shore
2024 2.17
Press: Le Monde
Julien Creuzet
2024 2.7
Press: Le Point
Julien Creuzet
2024 1.30
Group Exhibition at Wesleyan University Center for the Arts
Julien Creuzet
2024 1.21
Press: Le Nouvel Observateur
Julien Creuzet
2023 11.17
Oh Téléphone, oracle noir [...] at Le Magasin, Grenoble
Julien Creuzet
2023 11.13
Institut Français: New work from the artist Julien Creuzet six months before the Biennale di Venezia 2024
Julien Creuzet
2023 10.1
Performa Biennial, New York City
Julien Creuzet
2023 9.14
Group Exhibition at Julia Stoschek Foundation.
Julien Creuzet
2023 6.10
Featured artist at the Liverpool Biennial
Julien Creuzet
2023 5.6
Solo Exhibition at High Art
Julien Creuzet
2023 4.14
Whitewall Art
Julien Creuzet
2023 3.22
Liverpool Biennial
Julien Creuzet
2023 3.8
ArtNet-How French-Caribbean Artist Julien Creuzet Uses Creole Hymns and Digital Avatars to Retrace African Ancestry
Julien Creuzet
2023 3.1
Art Forum- Forcast Form: Art in the Caribbean Diaspora: 1990s-Today
Julien Creuzet
2023 2.10
Solo Museum Exhibition at Luma Westbau Zurich
Julien Creuzet
2023 2.1
Wallpaper - Venice Biennale 2024: a guide to the artists announced so far
Julien Creuzet
2022 12.9
l'hebdo du quotidien de l'art
Julien Creuzet
2022 12.8
ARTnews
Julien Creuzet
2022 12.1
Press: The Art Newspaper
Julien Cruezet
2022 9.29
Press: Texte zur Kunst
Julien Creuzet
2022 9.14
Group Exhibition at Musée Tinguely
Julien Creuzet
2022 9.9
Solo Exhibition at Andrew Kreps
Julien Creuzet
2022 7.2
Solo Exhibition at LUMA Arles
Julien Creuzet
2022 6.9
MOVE Festival at National Gallery Prague
Julien Creuzet
2022 5.25
Press: Flash Art
Julien Creuzet
2022 4.24
Group Exhibition at MCA Chicago
Julien Creuzet
2022 1.23
The Guardian
Julien Creuzet
2022 1.14
Solo exhibition at Camden Art Centre
Julien Creuzet
2021 12.15
Frieze
Julien Creuzet
2021 12.12
Art Basel
Julien Creuzet
2021 12.6
Bloomberg News
Julien Creuzet
2021 9.9
Solo exhibition at Prix Marcel Duchamp 2021
Julien Creuzet
2021 9.1
Group exhibition at Sweet Pass Sculpture Park
Julien Creuzet
2021 9.1
Group exhibition at Wesleyan University Art Gallery
Julien Creuzet
2021 9.1
Platform by David Zwirner Gallery
Julien Creuzet
2021 7.17
MOMENTA Biennale de l'image
Julien Creuzet
2021 3.2
FIAC OVR highlight by X Zhu-Nowell, Assistant Curator, Guggenheim
Julien Creuzet
2021 1.7
Nomination to the Prix Marcel Duchamp 2021
Julien Creuzet
2020 12.23
New City Art
Julien Creuzet
2019 10.2
Frieze
The Camden Arts Centre Emerging Artist Prize at Frieze 2019
2019 9.30
ARTnews
Julien Creuzet wins the Camden Arts Centre Emerging Artist Prize at Frieze 2019
2019 9.14
Centre d’Art de Neuchâtel
Julien Creuzet at CAN – Centre d’Art de Neuchâtel
2019 8.19
Libération
Julien Creuzet at Arena d’Arles gallery
2019 5.2
NADA
Julien Creuzet at NADA House Governors Island
2018 3.1
Frieze
Julien Creuzet: After the Storm
2017 11.23
SKETCH
Julien Creuzet Solo Exhibition at SKETCH Gallery, Bogota
2017 9.20
Biennale de Lyon
Julien Creuzet at 14th Biennale de Lyon
2025 1.10–2.22
Julien Creuzet, Natani Notah, John Opera, Tom Schneider, Paul Mpagi Sepuya, Kazuhito Tanaka, Claude Viallat
CHICAGO | Exhibit B
2020 11.19–12.30
Julien Creuzet
cloud cloudy glory doodles on the leaves pages, memory slowly the story redness sadness bloody redness on the skin
2020 7.10–8.29
Elizabeth Atterbury, Geraldo de Barros, Jessica Campbell, Mary Helena Clark, Julien Creuzet, Victoria Fu, Aron Gent, Gordon Hall, Jennefer Hoffman, Norman Kelley, Sterling Lawrence, Laura Letinsky, Christy Matson, Christopher Meerdo, Jonathan Muecke, Erin Jane Nelson, Gordon Parks, Sara Greenberger Rafferty, RO/LU, Paul Mpagi Sepuya, Greg Stimac, Andrew Norman Wilson
Interiors
2017 9.9–10.20
Julien Creuzet
Hiding behind the foliage. Search for Mygalia
|
Artist |
Exhibition |
Dates |
Type |
||||
|---|---|---|---|---|---|---|---|
|
Julien Creuzet, Natani Notah, John Opera, Tom Schneider, Paul Mpagi Sepuya, Kazuhito Tanaka, Claude Viallat |
CHICAGO | Exhibit B |
2025 1.10–2.22 |
Past |
 |
|||
|
Julien Creuzet |
cloud cloudy glory doodles on the leaves pages, memory slowly the story redness sadness bloody redness on the skin |
2020 11.19–12.30 |
Past |
 |
|||
|
Elizabeth Atterbury, Geraldo de Barros, Jessica Campbell, Mary Helena Clark, Julien Creuzet, Victoria Fu, Aron Gent, Gordon Hall, Jennefer Hoffman, Norman Kelley, Sterling Lawrence, Laura Letinsky, Christy Matson, Christopher Meerdo, Jonathan Muecke, Erin Jane Nelson, Gordon Parks, Sara Greenberger Rafferty, RO/LU, Paul Mpagi Sepuya, Greg Stimac, Andrew Norman Wilson |
Interiors |
2020 7.10–8.29 |
Past |
 |
|||
|
Julien Creuzet |
Hiding behind the foliage. Search for Mygalia |
2017 9.9–10.20 |
Past |
 |
|||
