Material Mexico City
Sterling Lawrence, Claude Viallat
February 7–10, 2019

Opening Reception
Thursday, March 28
7:15–7:15pm

Works

Sterling Lawrence, Palms Down, 2019, Aluminum and acrylic paint

Sterling Lawrence, Folded Attention, 2019, Aluminum and acrylic paint

Sterling Lawrence, Shadow Briefs and Hook, 2019, Aluminum and acrylic paint

Sterling Lawrence, Stretched Witness, 2019

Sterling Lawrence, Gardens Gate, 2019, Aluminum and acrylic paint, 24 1/2h x 18 1/4w x 1d in

Sterling Lawrence, Spatial Negative, 2019, Aluminum and acrylic paint, 24h x 17 1/2w x 1 1/2d in

Claude Viallat, 1989_066, 1989, Acrylic on tarpaulin

Claude Viallat, 1990_133, 1990, Acrylic on fabric

Claude Viallat, 2005_267, 2005, Acrylic on fabric

Claude Viallat, 2016_169, 2016, Acrylic on fabric

Claude Viallat, 2016_188, 2016, Acrylic on fabric fragment

Claude Viallat, 1972_C23, 1972, Ink on rope

Sterling Lawrence, Palms Down, 2019, Aluminum and acrylic paint

Sterling Lawrence, Folded Attention, 2019, Aluminum and acrylic paint

Sterling Lawrence, Shadow Briefs and Hook, 2019, Aluminum and acrylic paint

Sterling Lawrence, Stretched Witness, 2019

Sterling Lawrence, Gardens Gate, 2019, Aluminum and acrylic paint, 24 1/2h x 18 1/4w x 1d in

Sterling Lawrence, Spatial Negative, 2019, Aluminum and acrylic paint, 24h x 17 1/2w x 1 1/2d in

Claude Viallat, 1989_066, 1989, Acrylic on tarpaulin

Claude Viallat, 1990_133, 1990, Acrylic on fabric

Claude Viallat, 2005_267, 2005, Acrylic on fabric

Claude Viallat, 2016_169, 2016, Acrylic on fabric

Claude Viallat, 2016_188, 2016, Acrylic on fabric fragment

Claude Viallat, 1972_C23, 1972, Ink on rope