DOCUMENT is pleased to present Anyone Who’s Everyone, a solo exhibition of new work by Suara Welitoff.

In her first exhibition at DOCUMENT, Welitoff explores the relationship between gesture, distance, and time in an installation features a single channel video monitor, a single channel video projection and two photographs.

Heartbeat, the single channel video projection, features a scene from a film depicting a woman spinning around continuously searching for the viewers’ gaze. Welitoff inverts the filmographic image and loops the short scene emphasizing the woman’s unrequited search for the viewer. In Echo Echo Welitoff utilizes the ubiquitous image of a lone wolf, removes it from its environment and silences its call, forcing the action to signify the howl. The looping of the video emphasizes the continuation of the wolf’s search and the residual tension left when there’s no answer.

The pair of Untitled portraits are a first-printing of reworked older images from the artist personal archive. These black and white works are lit by the ambient light from the projection casting a warm tone over the images and making them formally converse with the woman in the projection. Together these four works whisper to one another across the gallery quietly challenging the significance of distance and yearning.

Suara Welitoff (b. 1951, Jersey City, NY) lives and works in Cambridge, MA. Welitoff has shown work nationally at Barbara Krakow Gallery, Boston, Institute of Contemporary Art Boston, Tony Wight Gallery, Chicago, the De Cordova Sculpture Park and Museum, and the Museum of Fine Arts Boston. She has shown in group shows around the world in Milan, Frankfurt, Berlin, Los Angeles, and New York. She is a recipient of the Louis Comfort Tiffany Foundation Award, the Rappaport Prize, the Maud Morgan Prize and is in the Collection of the Boston Museum of Fine Arts, Worcester Art Museum and Deutsche Bank New York.

Geraldo de Barros

Geraldo de Barros was born in São Paulo in 1923 and lived there until his death in 1998. He started his career as a traditional painter, but began an intense period of experimentation with the photographic medium in 1946, which culminated in his Fotoformas exhibition at the Museu de Arte de São Paulo (MASP) in 1951. The exhibition was a watershed for Brazilian photography and led to de Barros receiving a scholarship to study engraving in Paris. While in Europe he travelled extensively, meeting influential artists and encountering key movements in art and design. He returned to Brazil and established a successful career as an artist and industrial designer. A key figure in Brazillian Concrete, Abstract and Pop art he was a founding member of many influential groups including Grupo 15, Galeria Rex, Grupo Ruptura. He established the design co-operative Unilabor and furniture company Hobjeto Industry. After a series of strokes de Barros began in 1996 to work on a series of collage works using his ‘leftover’ family photographs. Entitled Sobras, de Barros continued to work on the series until his death in 1998.

 

 

 

 

 

 

 

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Fotoformas Series), 1950, Silver gelatin print, Edition of 15

Geraldo de Barros, Untitled (from Fotoformas Series), 1950, Silver gelatin print, Edition of 15

Geraldo de Barros, Untitled (from Fotoformas Series), 1948, Silver gelatin print, Edition of 15

Geraldo de Barros, Untitled (from Fotoformas Series), 1950, Silver gelatin print, Edition of 15

Geraldo de Barros, Hommage à Picasso (from Fotoformas Series), 1949, Silver gelatin print, Edition of 15

SURFACE TENSION

Phillip Maisel & Maggie Preston at Black Crown Gallery, Oakland
Opening Reception: Friday March 24, 6-9pm
Exhibition Dates: March 24 – April 29, 2017

  For Your “Open” (2677) and For Your “Open” (2682), 2017. Cut archival pigment prints, acrylic, melamine panel, 29 x 21.5″
SLCH2-About
Owner
Aron Gent
aron@documentspace.com
Director
Sibylle Friche
sibylle@documentspace.com
General Inquiries
info@documentspace.com

Gallery hours:
Wednesday-Saturday: 11am-6pm

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DOCUMENT is a commercial gallery located in Chicago that specializes in contemporary photography, film and media based art. The gallery has organized more than 30 solo exhibitions since its opening in 2011 and actively promotes the work of emerging national and international artists. Operating conjointly as a professional printmaking studio, DOCUMENT facilitates the production of works by artists from Chicago and the US. At this time we do not accept unsolicited submissions.