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DOCUMENT is pleased to present Val Verita, a solo exhibition of new work by Chicago based artist Selina Trepp.

Val Verità, translated from Romansch, means Truth Valley. But, Val Verità itself is fictitious.

The photographs in this series are based on a real town that holds an annual horse race on a frozen lake in the Swiss Alps region where Selina Trepp grew up. They’re as equally inspired by a naïve painting of a horse race she saw at a relative’s house, by a painter whose name she never tried to hunt down, and from a single passage she read in a book about the painter Ernst Ludwig Kirchner she pulled off her shelf.

Over the past two years Trepp has been following a self-imposed rule that guides her studio practice; only use what’s already there to make new work with. No new materials or objects are brought in except for the clothes that she happens to be wearing that day. Because of this, she’s intimately familiar with, and acutely aware of the resources at her disposal. Every painting has been painted over multiple times, and when a color runs out it’s gone. Everything is transitory, in flux and cannibalized. Nothing is precious or tyrannically sentimental.

There’s also a very specialized economy of gesture at work in the photos, with the mirror’s reflective surface doubling halves of cow shit piles into wholes, multiplying pillars into a porch, and turning a touch into a hug. A little material goes a long way in these works.

The quiet, but omnipresent political dimension that permeates the work is one of thrift, making due and zero waste. Her photographs don’t make a fuss about it, they simply live by example.

Selina Trepp (Swiss/American, b. 1973, in Zurich, Switzerland) is an artist who’s work explores economy and improvisation. Her artistic output comes in a multitude of media: installation, video, drawing, painting, photography and sculpture. Additionally she developed a practice of singing combined with realtime video projection and has been performing as one half of the duo Spectralina, an audiovisual collaboration with her husband Dan Bitney. Selina Trepps work has been exhibited internationally and has received several awards and honors including the Swiss Art Award and the Illinois Arts council Fellowship.

Elizabeth Atterbury

Elizabeth Atterbury (born 1982, West Palm Beach, FL) lives and works in Portland, Maine. Recent solo and group shows include Kate Werble Gallery, The Portland Museum of Art, Mrs, The Colby College Museum of Art, Waterville, kijidome, Boston, Document, Chicago, TSA, Brooklyn, Bodega, Philadelphia/New York, KANSAS, New York, and The ICA at Maine College of Art, Portland, among others. In the Middle, An Oasis, a monograph of her work, was published by Bodega Press in 2013.

She received her BA from Hampshire College and her MFA from MassArt.

The Well, The Wall, 2016 Silver gelatin print 20 x 24 in

The Well, The Wall II, 2016 Silver gelatin print 20 x 24 in

Beach Woks (Marks of a Tool II), 2016 Silver gelatin print 20 x 24 in

Still Life with Popcorn and Pits, 2016 Silver gelatin print 11 x 14 in

Logogram III, 2016 Silver gelatin print 20 x 24 in

Logogram II, 2016 Silver gelatin print 20 x 24 in

Logogram I, 2016 Silver gelatin print 20 x 24 in

Sunny Side, FL (Tomb), 2016 Enamel paint, steel 12 x 7 1/2 x 5 1/2 in

Sunny Side, FL (The Cut), 2016 Enamel paint, steel 13 1/2 x 28 1/2 x 1 1/4 in

Sunny Side, FL (Sunset Hedge), 2016 Enamel paint, steel 1 1/2 x 16 x 2 1/2 in

Sunny Side, FL (Small House), 2016 Enamel paint, steel 1 x 16 3/4 x 14 1/2 in

Sunny Side, FL (Bull Shark), 2016 Enamel paint, steel 2 1/2 x 18 x 1 1/2 in

Sunny Side, FL (Paper Cut / Hedge), 2016 Enamel paint, steel 10 x 9 x 1 3/4 in

Sunny Side, FL (Noguchi's Intetra, Mist Fountain), 2016 Enamel paint, steel 11 x 9 1/2 x 9 1/2 in

Sunny Side, FL (Lawn), 2016 Enamel paint, steel 9 x 9 in

Sunny Side, FL (Big House), 2016 Enamel paint, steel 16 x 18 x 6 in

Sunny Side, FL (Palms), 2015 Enamel paint, steel 17 1/2 x 11 x 16 in

Relief (China White), 2015 Plywood and paint 33 x 48 x 1 3/4 in

Moonlight on the river, 2014, chromogenic print 14 x 11 in

Slow Song, 2014, chromogenic print 14 x 11 in

Marks of a tool, 2014, silver gelatin print 11 x 14 in

Rake, 2014, Silver gelatin print 24h x 20w in

Ghost Tracks, 2014, Silver gelatin print 24h x 20w in

Black Beach, 2014, silver gelatin print 14 x 11 in.

Bones, 2014 Silver gelatin print 11 x 14 in

Glyphs II, 2014 Silver gelatin print 11 x 14 in

Glyphs, 2014 Silver gelatin print 11 x 14 in

Site, 2014 Silver gelatin print 11 x 14 in

Sculpture Park, 2014 Silver gelatin print 11 x 14 in

Bricks, 2013, chromogenic print 14 x 11 in

Harry, Henri, Sal, 2013, chromogenic print 14 x 11 in

Blue runner, 2013, chromogenic print 14 x 11 in

Art Omi: The Fields Sculpture Park opens a new exhibition including works by Sara Greenberger Rafferty. The exhibition will be on view from June 14, 2018 until June 1, 2019.

After Harry, 2008, plexiglass, stainless steel, rope, chains, locks, vinyl, found objects. 84 x 36 x 36 inches.

Created for the Public Art Fund in 2008, this work was sited at Metrotech Center in Brooklyn, a public plaza ensconced in the judicial center of Brooklyn. While title After Harry explicitly references Harry Houdini—a figure that figured prominently in Greenberger Rafferty’s practice at that time—this work also alludes to the grave impacts of the judicial system. The courts are a place where justice is handed out, and where there terms of bondage are determined: will the invisible actor in this piece escape or be held in chains?

Sara Greenberger Rafferty has exhibited widely since 2001, including solo exhibitions at The Kitchen, New York; MoMA PS1, New York; Eli Marsh Gallery at Amherst College, Massachusetts; The Suburban, Illinois; and a commissioned sculpture for the Public Art Fund. In 2014, she participated in the Whitney Biennial; the Hammer Biennial; and had solo exhibitions in Portland, Oregon, Riga, Latvia, and New York. In 2015, her work was included in exhibitions at the Museum of Contemporary Art, San Diego, the Atlanta Contemporary Art Center in Georgia, and Galerie Andreas Huber in Vienna. In 2016, she mounted her 4th solo exhibition at Rachel Uffner Gallery; and had a solo project at Document in Chicago. In 2017, she opened a traveling museum show with accompanying fully illustrated catalogue, published by SUNY Press.

Owner
Aron Gent
aron@documentspace.com
Director
Sibylle Friche
sibylle@documentspace.com
General Inquiries
info@documentspace.com

Gallery hours:
Tuesday-Saturday: 11am-6pm

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DOCUMENT is a commercial gallery located in Chicago that specializes in contemporary photography, film and media based art. The gallery has organized more than 30 solo exhibitions since its opening in 2011 and actively promotes the work of emerging national and international artists. Operating conjointly as a professional printmaking studio, DOCUMENT facilitates the production of works by artists from Chicago and the US. At this time we do not accept unsolicited submissions.