Download Exhibition Brochure

Document is pleased to present “Soap Opera Pop Music”, a selection of image and text based works by New York based artist Sara Magenheimer.

A particular confluence from earlier this year:

I was reading Blaise Cendrars’ poems. I wrote a poem for each of the titles in his poem “16. Titles.”

I was reading Michael McClure’s poems – I Iike his performative linguistic physicality, both sonically and graphically.

I was introduced to a letterpress. Each piece of lead type was a sculptural form dictated by the letter, punctuation mark or dingbat it depicted. Arranging them on a surface created a landscape of text.

I was shooting video and still photos of object arrangements in my studio, rocks that I’d collected and painted different colors, sponges, earplugs, display hands, and ceramics.

I visited Brancusi’s studio in Paris. Encased in glass, it felt like a sort of diorama in a natural history museum. I saw his photographic equipment alongside his sculptural works, in multiple, and thought about representation, repetition of form, and objects’ performative qualities before a camera lens.

My studio evolved into a set in which an actor, objects, and photographs performed for the camera. The text I was writing turned into letterpress arrangements, turned into collages with photographs.

A relationship to an oblique narrative runs through my work; references to things outside of the work connect to an unknown social or cultural context. The work accesses narrative potential and emotional energy in a constant vacillation between specific references (Chris Montez, an earplug, a hand) and ambiguity (ADD A MARK, an abstract blob of clay), functionality (a period acts like a period) and abstraction (a period is a circle, a dot, a shape, the sound “ooo”.)

It’s said that Cendrars’ work evoked photographic impressions, cinematic effects of montage and rapidly changing imagery, while McClure famously performed a reading of his work for caged lions at the SF Zoo. In my work, words are always the shape of the letters that comprise them, the sound of their articulation, as well as what they mean. Sound is always a vibration of molecules, as well as a catalyst for emotion when organized into a melody. The physical embodiment of linguistic utterance as performed by material is at play.

Sara Magenheimer is an artist based in upstate NY. Recent exhibitions include Chapter NY, 247365 Gallery, Cleopatra’s, NY. Recent screenings include The New York Film Festival, The Kitchen, New York; Brooklyn Academy of Music, Brooklyn, NY; The Cave, Detroit, MI; SiteWork, Chapel Hill, NC; MOMA, Portland, OR; The Living Art Museum, Reykjavik, Iceland; and Meet Factory, Prague, Czech Republic. Since 2012 she has performed at Recess, MOMA P.S.1, Issue Project Room, Canada Gallery, and the Performa 13 Biennial. Her collaborative project, Bloopers, received commissions from Triple Canopy and EMPAC, at Rensselaer Polytechnic Institute. She was named one of Blouin Art Info and Modern Painters Top 25 Artists to Watch in 2014, and was the recipient of a 2014 Rema Hort Mann Foundation Emerging Artist Grant.

Elizabeth Atterbury

Elizabeth Atterbury (born 1982, West Palm Beach, FL) lives and works in Portland, Maine. Recent solo and group shows include The Colby College Museum of Art, Waterville; kijidome, Boston; Document, Chicago; TSA, Brooklyn; Bodega, Philadelphia/New York; KANSAS, New York; and The ICA at Maine College of Art, Portland, among others. In the Middle, An Oasis, a monograph of her work, was published by Bodega Press in 2013. She received her BA from Hampshire College and her MFA from MassArt.

The Well, The Wall, 2016 Silver gelatin print 20 x 24 in

The Well, The Wall II, 2016 Silver gelatin print 20 x 24 in

Beach Woks (Marks of a Tool II), 2016 Silver gelatin print 20 x 24 in

Still Life with Popcorn and Pits, 2016 Silver gelatin print 11 x 14 in

Logogram III, 2016 Silver gelatin print 20 x 24 in

Logogram II, 2016 Silver gelatin print 20 x 24 in

Logogram I, 2016 Silver gelatin print 20 x 24 in

Sunny Side, FL (Tomb), 2016 Enamel paint, steel 12 x 7 1/2 x 5 1/2 in

Sunny Side, FL (The Cut), 2016 Enamel paint, steel 13 1/2 x 28 1/2 x 1 1/4 in

Sunny Side, FL (Sunset Hedge), 2016 Enamel paint, steel 1 1/2 x 16 x 2 1/2 in

Sunny Side, FL (Small House), 2016 Enamel paint, steel 1 x 16 3/4 x 14 1/2 in

Sunny Side, FL (Bull Shark), 2016 Enamel paint, steel 2 1/2 x 18 x 1 1/2 in

Sunny Side, FL (Paper Cut / Hedge), 2016 Enamel paint, steel 10 x 9 x 1 3/4 in

Sunny Side, FL (Noguchi's Intetra, Mist Fountain), 2016 Enamel paint, steel 11 x 9 1/2 x 9 1/2 in

Sunny Side, FL (Lawn), 2016 Enamel paint, steel 9 x 9 in

Sunny Side, FL (Big House), 2016 Enamel paint, steel 16 x 18 x 6 in

Sunny Side, FL (Palms), 2015 Enamel paint, steel 17 1/2 x 11 x 16 in

Relief (China White), 2015 Plywood and paint 33 x 48 x 1 3/4 in

Moonlight on the river, 2014, chromogenic print 14 x 11 in

Slow Song, 2014, chromogenic print 14 x 11 in

Marks of a tool, 2014, silver gelatin print 11 x 14 in

Rake, 2014, Silver gelatin print 24h x 20w in

Ghost Tracks, 2014, Silver gelatin print 24h x 20w in

Black Beach, 2014, silver gelatin print 14 x 11 in.

Bones, 2014 Silver gelatin print 11 x 14 in

Glyphs II, 2014 Silver gelatin print 11 x 14 in

Glyphs, 2014 Silver gelatin print 11 x 14 in

Site, 2014 Silver gelatin print 11 x 14 in

Sculpture Park, 2014 Silver gelatin print 11 x 14 in

Bricks, 2013, chromogenic print 14 x 11 in

Harry, Henri, Sal, 2013, chromogenic print 14 x 11 in

Blue runner, 2013, chromogenic print 14 x 11 in

MAÑANA VAPOR

Julien Creuzet

SKETCH GALLERY

On view: November 23rd, 2017 – February 15th, 2018


French Caribbean artist Julien Creuzet presents Mañana Vapor, his first solo show in Colombia at SKETCH.  He composes an intuitive and fertile encounter, composed by poems, installations and visual and sound assemblages. Fragments of poems and photographs are superimposed and printed on to polished surfaces, feverishly wanting to escape from the video that contains them and whisper magic stories into your ears. From his collages he creates powerful visual narratives, erasing the borders between documentary, fantasy and reality; a reverse that lets us go beyond the thinkable, between the occult and the visible. Through his hybrid works Julien Creuzet recovers objects and myths that history has, to date, left aside to make its own agenda prevail. Then and only then Julien Creuzet stories reveal themselves as possible: they shine in silence waiting for our hands to embrace them.

Julien Creuzet lives and works in Paris. He has participated in numerous solo shows including DOCUMENT, Chicago (2017),Galerie Doyang Lee, Paris (2016), National Superior School of Art and Design, Nancy, France (2016), Contemporary Art Regional Funds, Normandy, France (2015), Juvisy-sur-Orge Contemporary Art Centre, France (2013) and Sandretto Re Rebaudengo Foundation in Turin, Italy  (2012). His upcoming shows for 2018 are Ricard Foundation and Bétonsalon Art Centre, Paris.

He participated recently at The Lyon Biennial and Hors Piste Festival at  the  Pompidou Center, Paris (2017), No. XII  Contemporary Art Biennial, Dakar, Senegal (2016), II Kampala Art Biennial, Uganda (2016 and the 30th International Artists Studio Program Exhibition at the Regional Fonds of Contemporary Art of Pays de la Loire, France (2016) amongst others.

 

Click here for the press release.

Owner
Aron Gent
aron@documentspace.com
Director
Sibylle Friche
sibylle@documentspace.com
General Inquiries
info@documentspace.com

Gallery hours:
Tuesday-Saturday: 11am-6pm

Private Works Login
DOCUMENT is a commercial gallery located in Chicago that specializes in contemporary photography, film and media based art. The gallery has organized more than 30 solo exhibitions since its opening in 2011 and actively promotes the work of emerging national and international artists. Operating conjointly as a professional printmaking studio, DOCUMENT facilitates the production of works by artists from Chicago and the US. At this time we do not accept unsolicited submissions.