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Reception: April 19th, 5-8pm

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DOCUMENT is pleased to present an exhibition of new works by John Opera. The exhibit opens on Friday, June 7th with a reception from 5-8pm and continues through June 27th, 2019.

Paul Mpagi Sepuya

Paul Mpagi Sepuya (b. 1982, San Bernardino, CA) lives and works in Los Angeles, where he received an MFA in photography at UCLA in 2016. From 2000 – 2014 Sepuya resided in New York City, receiving a BFA from New York University’s Tisch School of the Arts in 2004. Sepuya became known for his 2005 – 2007 zine series “SHOOT” and first monograph, “Beloved Object & Amorous Subject, Revisited” (2008), along with contributions and features in BUTT Magazine, and participation and collaborations in the re-emergence of queer zines culture of the 2000s. He went on to participate in Artist-in-Residence programs at the Lower Manhattan Cultural Council, the Center for Photography at Woodstock, The Studio Museum in Harlem and Fire Island Artist Residency.

Sepuya’s work is in the permanent collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Studio Museum in Harlem, the International Center for Photography, the Cleveland Museum of Art, the Milwaukee Art Museum and the Carnegie Museum, among others. Solo exhibitions include  “Double Enclosure” at Fotomuseum Amsterdam (2018), “Dark Room” at Document, Chicago (2018) and “Dark Room” at team (bungalow), Los Angeles and “Figures, Grounds and Studies” at Yancey Richardson Gallery, New York City (both 2017). Sepuya was recently featured in “Being : New Photography 2018” at the Museum of Modern Art and “Trigger” at the New Museum New York City (2018). His first museum survey of work from 2006 – 2018 will open May 2019 at CAM St Louis.

Sepuya’s work has been covered and published in ARTFORUM, Aperture, The New Yorker, The New York Times, Art Review, Frieze, Art in America, Monocle, Osmos, The Nation, and he is a recipient of the 2017 Rema Hort Mann Foundation’s grant for Los Angeles artists.

Paul Mpagi Sepuya, Darkroom Mirror Study, or Aperture, 2018, Archival pigment print, 51 x 34 in, Edition of 5

Paul Mpagi Sepuya, Mirror Study (2140278), 2018, Archival pigment print, 32 x 24 in, Edition of 5

Paul Mpagi Sepuya, Mirror Study (0X5A1237), 2017, Archival pigment print, 51 x 34 in, Edition of 5

Paul Mpagi Sepuya, Mirror Study for Joe (_2010964), 2017, Archival pigment print, 32 x 24 in, Edition of 5

Paul Mpagi Sepuya, A Ground (0X5A1495), 2018, Archival pigment print, 51 x 34 in, Edition of 5

Paul Mpagi Sepuya, Black Mirror Study (_2110109), 2018, Archival pigment print, 24 x 32 in, Edition of 5

Paul Mpagi Sepuya, Darkroom (_1980967), 2017, Archival pigment print, 13 x 10 in, Edition of 5

Paul Mpagi Sepuya, Mirror Study (0X5A6568), 2017, Archival pigment print, 51 x 34 in, Edition of 5

Paul Mpagi Sepuya, Mirror Study (0X5A0486), 2017, Archival pigment print, 51 x 34 in, Edition of 5

Paul Mpagi Sepuya, Darkroom Model Study (0x5a2919), 2017, Archival pigment print, 51 x 34 in, Edition of 5

Paul Mpagi Sepuya, Dark Cloth (_2040880), 2017, Archival pigment print, 32 x 24 in, Edition of 5

Aperture

Orlando: Guest Curated by Tilda Swinton

May 24 – July 11, 2019

Collier Schorr, Untitled (Casil), 2015–18. Artist’s edit for Aperture © the artist and courtesy 303 Gallery, New York

Orlando
Exhibition on View:
May 24 – July 11, 2019

Virginia Woolf’s prescient 1928 novel Orlando tells the story of a young nobleman who, during the era of Queen Elizabeth I, lives for three centuries without aging and mysteriously shifts gender along the way. In 1992, filmmaker Sally Potter released a now-classic adaptation of the book with Tilda Swinton in the starring role as Orlando. Since then, Woolf ’s tale has continued to hold sway over Swinton, who describes the book’s ability “to change like a magic mirror. Where I once assumed it was a book about eternal youth, I now see it as a book about growing up, about learning to live.”

For the summer 2019 issue of Aperture and a coinciding exhibition, Swinton, as guest editor and curator, draws upon the central themes of the novel—gender fluidity, consciousness without limits, and the deep perspective of a long life—to offer a collection of images and writings that celebrate openness, curiosity, and human possibility. “Woolf wrote Orlando,” Swinton notes, “in an attitude of celebration of the oscillating nature of existence. She believed the creative mind to be androgynous. I have come to see Orlando far less as being about gender than about the flexibility of the fully awake and sensate spirit. This issue of Aperture will be a salute to indetermination and limitlessness, and a heartfelt celebration of the fully inclusive and expansive vision of life exemplified by the extraordinary artists collected here.”

Photographs by Zackary Drucker, Lynn Hershman Leeson, Paul Mpagi Sepuya, Jamal Nxedlana, Elle Pérez, Walter Pfeiffer, Sally Potter, Viviane Sassen, Collier Schorr, Mickalene Thomas, and Carmen Winant.

Artist commissions for the “Orlando” issue of Aperture magazine and the related exhibition at Aperture Gallery are made possible with the support of Slobodan Randjelović and Jon Stryker. Aperture also thanks ROOT STUDIOS for supporting the production of Mickalene Thomas’s work in this issue.

Significant support for Aperture magazine is provided by The Kanakia Foundation. Further generous support is provided in part by The Andy Warhol Foundation for the Visual Arts and the New York City Department of Cultural Affairs in partnership with the City Council.

Owner
Aron Gent
aron@documentspace.com
Director
Sibylle Friche
sibylle@documentspace.com
Gallery and Print Studio Assistant
Renata Cruz Lara Guerra
info@documentspace.com

Gallery hours:
Tuesday-Saturday: 11am-6pm

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DOCUMENT is a commercial gallery located in Chicago that specializes in contemporary photography, film and media based art. The gallery has organized more than 40 solo exhibitions since its opening in 2011 and actively promotes the work of emerging national and international artists. Operating conjointly as a professional printmaking studio, DOCUMENT facilitates the production of works by artists from Chicago and the US. At this time we do not accept unsolicited submissions.