Galeries | Booth 1.K2

Dabin Ahn (b. 1988, Seoul, Korea) lives and works in Chicago, IL. He creates paintings populated by flora, fauna, vessels, candles, and ceramic fragments, motifs that function as representations of the self. Ahn’s paintings also incorporate sculptural elements such as hand-built frames that part to reveal images along the canvas edge. Ahn received a BFA and MFA from the School of the Art Institute of Chicago. Selected solo exhibitions include DOCUMENT, Chicago (2026); François Ghebaly, Los Angeles; OCHI, Los Angeles; Harper’s, New York; 1969, New York. Recent group exhibitions include Make Room, Los Angeles; Harper’s, East Hampton; and The Hole, Los Angeles. His work can be found in the permanent collections of the High Museum of Art, Atlanta, GE; X Museum, Beijing, China.

Alexandra Barth (b. 1989, Malacky, Slovakia) lives and works in Sanguinetto, Italy. She received her degree from the Academy of Fine Arts and Design in Bratislava, Slovakia in 2013. Recent solo exhibitions include DOCUMENT, Chicago (2026); LOOM Gallery, Milan, Italy (2024); Mrs., Maspeth, NY (2023); Photoport, Bratislava, Slovakia (2023); A SUD, Pescara, Italy (2022); Stone Projects, Prague, Czech Republic (2022); Chris Sharp, Los Angeles, CA (2021). Group exhibitions include Photoport, The Elevator, Temporary Parapet, MDŽ, and White&Weiss, in Bratislava, Slovakia. In 2024 she was awarded the TCP Art Finance Prize at The Armory Show and her work is in the collections of the Zahorie Gallery of Jan Mudroch in Senica, Slovakia and the Morgan Stanley Collection, New York, NY.

Julien Creuzet (b. 1986, Paris, France) is a French-Caribbean artist who lives and works in Paris. In 2024, Creuzet represented France for the 60th Venice Biennale and a reimagined iteration of his pavilion traveled to The Bell, Brown University, Providence, RI and the Institute for Contemporary Art at Virginia Commonwealth University, Richmond, VA (2025). He has had solo exhibitions at Le Magasin Centre National D’Art Contemporain, Grenoble, France (2023); Performa Biennial, New York (2023); LUMA, Zürich, Switzerland (2023); LUMA, Arles, France (2022); the Camden Art Centre, London, UK (2022); Centre Pompidou, Paris, France (2021); Palais De Tokyo, Paris, France (2019); CAN Centre d’Art Neuchâtel, Neuchâtel, Switzerland (2019); Fondation d’Entreprise Ricard, Paris, France (2018); and Bétonsalon, Paris, France (2018). He has participated in numerous group exhibitions in institutions including Busan Biennale (2026); Toronto Biennial of Art (2026); New Museum, New York City, NY (2026); Centre Pompidou-Metz, France (2025); 35th São Paulo Bienal, São Paulo, Brazil (2023); the 12th Liverpool Biennial, Liverpool, UK (2023), the Museum of Contemporary Art Chicago, Chicago, IL (2022-2023); Museum Tinguely, Basel, Switzerland (2022); the National Gallery of Prague, Czech Republic, (2022); Wesleyan University Center for the Arts, Middletown, CT (2021); Manifesta 13, Marseille, France (2020); Musée d’Art Moderne de Paris, Paris, France (2020); Kampala Biennale, Kampala, Uganda (2018); and Gwangju Biennale, Gwangju, South Korea (2018).

Luísa Jacinto (b. 1984, Lisbon, Portugal) lives and works in Lisbon. Jacinto’s artistic practice deals with the protocols of the image, narratives fragmentation and simulation, the excess of evidence and obscuration. Solo exhibitions include Gleich-zeitig / At the same time, Kunst-Station Sankt Peter, Cologne, Germany (2026); Things change quickly, DOCUMENT, Chicago (2025); My shadow is yours, Parra & Romero, Madrid, Spain (2025); Shining Indifference, MAAT Museum, Lisbon, Portugal (2024); The idea of returning, Galeria Quadrado Azul, Lisbon, Portugal (2022); Stone-Veil, Artworks, Lisbon, Portugal (2019); We had the experience but missed the meaning, galería silvestre, Madrid, Spain (2018); A single day is enough, Museu Carlos Machado, Açores, Portugal (2012). Jacinto’s works have been shown in group exhibitions including: Exhibit C, DOCUMENT, Lisbon, Portugal (2025); It’s the scenery that moves (joint exhibition with Isa Melsheimer), Brotéria, Lisbon, Portugal (2022); Painting, Observation Field, Cristina Guerra Contemporary Art, Lisbon, Portugal (2021); PADA, ASC Gallery, London, United Kingdom (2019); Saudade – Unmemorable Place in Time, Fosun Foundation, Shanghai, China and Museu Coleção Berardo, Lisbon, Portugal (2018). Her works are in the collections of Fundação Calouste Gulbenkian, Lisbon, Portugal; Fundação EDP, Lisbon, Portugal; Colecção Figueiredo Ribeiro, Portugal; Coleção Arte Contemporanea do Estado, Portugal; Núcleo de Arte Contemporânea da Câmara Municipal de Lisboa, Lisbon, Portugal, among others.

Faheem Majeed (b. 1976, Chicago, IL) is an artist, curator, educator, and non-profit administrator whose work focuses on institutional critique and centers collaboration as a tool to engage communities in meaningful dialogue. He received his BFA from Howard University and an MFA from the University of Illinois Chicago, where he is currently an Assistant Professor of Art. He is the recipient of the Field and MacArthur Foundation’s Leaders for a New Chicago Award, the Joyce Foundation Award, and the Joan Mitchell Painters and Sculptors Grant, and has been recognized as a Harpo Foundation Awardee. Majeed served as the Executive Director of the South Side Community Art Center from 2005 to 2011 and currently serves as the Co-Director and Founder of the Floating Museum, an arts collective and non-profit that creates new models to explore relationships between art, community, architecture, and public institutions. His work has been exhibited at the Museum of Contemporary Art Chicago, Centre Pompidou, High Line Art, and the Hyde Park Art Center.

Erin Jane Nelson (b. 1989, Neenah, WI) lives and works in Santa Fe, NM. In 2011 she received her BFA from The Cooper Union. Recent solo exhibitions include the Abroms-Engel Institute for the Visual Arts, Birmingham, AL (2026); DOCUMENT, Chicago, IL (2024); Chapter NY, New York, NY (2023); Museum of Contemporary Art of Georgia, Atlanta, GA (2021); and Atlanta Contemporary Art Center, Atlanta, GA (2019). Nelson was included in the 2026 Whitney Biennial and 2021 New Museum Triennial; her work has been featured in group exhibitions at the Phoenix Art Museum, Phoenix, AZ (2025); Carnegie Museum of Art, Pittsburgh, PA (2024); Center for the Arts at Virginia Tech, Blacksburg, VA (2023); The Whitney Museum of American Art, New York, NY (2021); Aspen Art Museum, Aspen, CO (2020); Fries Museum, Leeuwarden, The Netherlands (2020); La Galerie, Centre d’Art Contemporain, Noisy-le-Sec, France (2019); and Pinakothek der Moderne, Munich, Germany (2018). Nelson was the recipient of a 2023 Guggenheim Fellowship in the Creative Arts.