Reception: Friday July 24th > 5-8 Pm

RE|PRODUCTION is part of a series of exhibitions (organized by Michael Hall and Aron Gent) inviting both local and international artists to work on an exhibition and collaborate with the (in-house) production of a new work at Document.

Document presents new context-specific works from Alice Konitz, Lasse Schmidt Hansen, and Sterling Lawrence; three artists who each reproduce objects, either through de-contextualization or re-presenting forms of architectural displacement. This exhibition conceptually links to an earlier exhibition of Marcus Geiger & Margaret Welsh, which was presented at Document earlier this year. The series will come together next for the September exhibition with Sean Snyder’s “Re-Convergence (Algorithmic Archaeology),” which will be his first US solo exhibition since his Artists Space exhibition in 2011.

Alice Konitz sculptural works border on the edge of existing as architecture either as small models or sculptures. Conceived initially as small models or sketches, they sometimes reappear in her work as life size sculptural objects with names like Taco Stand, etc. Often the materials she chooses (Cardboard, mirrored foils) often force the viewer to rethink the (architectural) object; as these materials are often metaphorical stand-ins for other materials. For example “Untitled” (2015) which has been reproduced at Document, started out as a small model based on the memory of a table at a Swedish rest-stop. This sculpture, which functions as part table, part trashcan, was based on architectural drawings that were created to produce the object life-size. Through these gaps in memory and technical reproduction this object becomes a unique sculptural object through minor adjustments in size, material, and general placement within the gallery space.

Lasse Schmidt Hansen presents a grouping of black molleton fabrics entitled “Dismantled” (2014 – Present). These fabrics were originally used in theatres, photo studios, or galleries and their general purpose serves to block out light sources in galleries or black boxes. Generally these objects are part of the (gallery) inventory and are often kept for re- use. These remnants contain indexical traces of the original architectural spaces from which they were used, along with nail holes, plaster, and staples. By re-presenting these spatial fragments the original space becomes partially reassembled within Document.

Sterling Lawrence’s Rack 03 is a sculpture that references a sensibility of use, which is intentionally left unclear as to what specificity this use was intended for. Studies for the form started with investigations into the skeletal supports of magazine racks. In the process of making the work, size sifted from a traditional floor magazine rack found next to a reading chair to something different. Lawrence shortened the legs, and exaggerated the length of the piece to the length of his own body. In doing so, the form began to resemble a cot in scale, however the elastic bands kept to the interior form of that found in initial studies of magazine racks. The work itself is a model for a study of translation; it becomes something new and in turn revealing a state of confusion, which questions both platforms and circumstances.

 

Artists Bios:

Alice Konitz (Born in Germany, lives in Los Angeles). Since 2012, Konitz runs LAMOA Space and in 2014 she became the winner of the Mohn Award at the UCLA Hammer Museum (Los Angeles) through her participation in the “Made in L.A.” Exhibition. She also participated in the 2008 Whitney Biennale. Solo Exhibitions include: Galerie naechst St. Stephan in Vienna (upcoming), LAXART (Los Angeles), Susanne Vielmetter (Los Angeles and Berlin), Hudson Franklin (NY), and LACE (Los Angeles).

Lasse Schmidt Hansen (Born in Denmark, lives in Copenhagen and Berlin). Recent solo exhibitions include Christian Andersen (Copenhagen), Galerie Hussenot (Paris), and Galerie Reinhard Hauff (Stuttgart).

Sterling Lawrence (Born in the United States of America, Lives in Chicago) has had solo exhibitions with Devening Projects + Editions, Chicago; and Tony Wight Gallery, Chicago. Lawrence has been included in group exhibitions at Scotty Enterprises, Berlin; Soloway, NY; Columbia College, Chicago; Devening Projects + Editions, Chicago; and New Capital via Forever and Always, Chicago.

Elizabeth Atterbury

Elizabeth Atterbury (born 1982, West Palm Beach, FL) lives and works in Portland, Maine. Recent solo and group shows include The Colby College Museum of Art, Waterville; kijidome, Boston; Document, Chicago; TSA, Brooklyn; Bodega, Philadelphia/New York; KANSAS, New York; and The ICA at Maine College of Art, Portland, among others. In the Middle, An Oasis, a monograph of her work, was published by Bodega Press in 2013. She received her BA from Hampshire College and her MFA from MassArt.

The Well, The Wall, 2016 Silver gelatin print 20 x 24 in

The Well, The Wall II, 2016 Silver gelatin print 20 x 24 in

Beach Woks (Marks of a Tool II), 2016 Silver gelatin print 20 x 24 in

Still Life with Popcorn and Pits, 2016 Silver gelatin print 11 x 14 in

Logogram III, 2016 Silver gelatin print 20 x 24 in

Logogram II, 2016 Silver gelatin print 20 x 24 in

Logogram I, 2016 Silver gelatin print 20 x 24 in

Sunny Side, FL (Tomb), 2016 Enamel paint, steel 12 x 7 1/2 x 5 1/2 in

Sunny Side, FL (The Cut), 2016 Enamel paint, steel 13 1/2 x 28 1/2 x 1 1/4 in

Sunny Side, FL (Sunset Hedge), 2016 Enamel paint, steel 1 1/2 x 16 x 2 1/2 in

Sunny Side, FL (Small House), 2016 Enamel paint, steel 1 x 16 3/4 x 14 1/2 in

Sunny Side, FL (Bull Shark), 2016 Enamel paint, steel 2 1/2 x 18 x 1 1/2 in

Sunny Side, FL (Paper Cut / Hedge), 2016 Enamel paint, steel 10 x 9 x 1 3/4 in

Sunny Side, FL (Noguchi's Intetra, Mist Fountain), 2016 Enamel paint, steel 11 x 9 1/2 x 9 1/2 in

Sunny Side, FL (Lawn), 2016 Enamel paint, steel 9 x 9 in

Sunny Side, FL (Big House), 2016 Enamel paint, steel 16 x 18 x 6 in

Sunny Side, FL (Palms), 2015 Enamel paint, steel 17 1/2 x 11 x 16 in

Relief (China White), 2015 Plywood and paint 33 x 48 x 1 3/4 in

Moonlight on the river, 2014, chromogenic print 14 x 11 in

Slow Song, 2014, chromogenic print 14 x 11 in

Marks of a tool, 2014, silver gelatin print 11 x 14 in

Rake, 2014, Silver gelatin print 24h x 20w in

Ghost Tracks, 2014, Silver gelatin print 24h x 20w in

Black Beach, 2014, silver gelatin print 14 x 11 in.

Bones, 2014 Silver gelatin print 11 x 14 in

Glyphs II, 2014 Silver gelatin print 11 x 14 in

Glyphs, 2014 Silver gelatin print 11 x 14 in

Site, 2014 Silver gelatin print 11 x 14 in

Sculpture Park, 2014 Silver gelatin print 11 x 14 in

Bricks, 2013, chromogenic print 14 x 11 in

Harry, Henri, Sal, 2013, chromogenic print 14 x 11 in

Blue runner, 2013, chromogenic print 14 x 11 in

MAÑANA VAPOR

Julien Creuzet

SKETCH GALLERY

On view: November 23rd, 2017 – February 15th, 2018


French Caribbean artist Julien Creuzet presents Mañana Vapor, his first solo show in Colombia at SKETCH.  He composes an intuitive and fertile encounter, composed by poems, installations and visual and sound assemblages. Fragments of poems and photographs are superimposed and printed on to polished surfaces, feverishly wanting to escape from the video that contains them and whisper magic stories into your ears. From his collages he creates powerful visual narratives, erasing the borders between documentary, fantasy and reality; a reverse that lets us go beyond the thinkable, between the occult and the visible. Through his hybrid works Julien Creuzet recovers objects and myths that history has, to date, left aside to make its own agenda prevail. Then and only then Julien Creuzet stories reveal themselves as possible: they shine in silence waiting for our hands to embrace them.

Julien Creuzet lives and works in Paris. He has participated in numerous solo shows including DOCUMENT, Chicago (2017),Galerie Doyang Lee, Paris (2016), National Superior School of Art and Design, Nancy, France (2016), Contemporary Art Regional Funds, Normandy, France (2015), Juvisy-sur-Orge Contemporary Art Centre, France (2013) and Sandretto Re Rebaudengo Foundation in Turin, Italy  (2012). His upcoming shows for 2018 are Ricard Foundation and Bétonsalon Art Centre, Paris.

He participated recently at The Lyon Biennial and Hors Piste Festival at  the  Pompidou Center, Paris (2017), No. XII  Contemporary Art Biennial, Dakar, Senegal (2016), II Kampala Art Biennial, Uganda (2016 and the 30th International Artists Studio Program Exhibition at the Regional Fonds of Contemporary Art of Pays de la Loire, France (2016) amongst others.

 

Click here for the press release.

Owner
Aron Gent
aron@documentspace.com
Director
Sibylle Friche
sibylle@documentspace.com
General Inquiries
info@documentspace.com

Gallery hours:
Tuesday-Saturday: 11am-6pm

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DOCUMENT is a commercial gallery located in Chicago that specializes in contemporary photography, film and media based art. The gallery has organized more than 30 solo exhibitions since its opening in 2011 and actively promotes the work of emerging national and international artists. Operating conjointly as a professional printmaking studio, DOCUMENT facilitates the production of works by artists from Chicago and the US. At this time we do not accept unsolicited submissions.