Reception: April 15, 5-8pm

DOCUMENT is pleased to present Psychopompopolis, Erin Jane Nelson’s second solo exhibition at the gallery.

Press release to follow.

Christopher Meerdo

Christopher Meerdo (b.1981) is a Chicago based artist who grew up in the Upper Peninsula of Michigan and Lithuania. Meerdo’s new work is currently featured in a solo exhibition at the Mattress Factory through 2017. He is the Fellowship 15 International Award winner for his projects Iceland and Cataphote, was an artist in residence at the SIM Program in Reykjavik, Iceland, 8550 Ohio, and attended the Skowhegan School of Painting and Sculpture in 2013. Meerdo received his MFA in Photography from the University of Illinois at Chicago in 2011. He currently teaches at the School of the Art Institute of Chicago. Recent exhibitions include The Museum of Contemporary Photography (Chicago, IL); Elmhurst Art Museum (Elmhurst, IL); The Hills (Chicago, IL); ITP Space (Jackson, WY); Nightingale Cinema (Chicago, IL); Cabinet Magazine (Brooklyn, NY); Second Street Gallery (Charlottesville, VA); SIM Gallery (Reykjavic, Iceland). More information can be found at http://0-0.ooo

time machine for variation identification and memory, Raspberry pi, micro sd card, power adapter, USB LED clock fan, flameless USB lighter, micro USB LED 10x9x4 in, 2016

integrated simulation and synthesis, Raspberry pi, micro sd card, power adapter, Snoop Dogg BUSH G Slim Liquid Vaporizer, USB powered fan, flexible USB LED Lamp 12x8x5 in, 2016

clustering for similarity in data mining, Raspberry pi, micro sd card, power adapter, programmable USB LED fan, 16Gb USB fake thumb 8x8x6 in, 2016

Active Denial System, Mattress Factory Museum of Contemporary Art installation view, 2016

HD Protech Cite M1G2, 2016 hydroprint on retroreflective fabric, cnc extruded polystyrene, hydrocal, mixed media

Haute VIEW, 2016 hydroprint on retroreflective fabric, cnc extruded polystyrene, hydrocal, mixed media

Metadata, 2016 HD video, 11:01 min custom display monitors, raspberry pis, network switch, sound system

Underground-Nuclear-Fallout-Home-Las-Vegas-NV-west-wall-detail-dusk, 2016 Archival pigment prints, 20 x 30 in. each

Underground Nuclear Fallout Home Las Vegas NV, south wall, dawn, Archival Digital Print, 20 x 30 in, 2016

Erythrocyte Ghosts Filled with Quantum Dots Improve Cryogenics with Microarea Custom Freeze Thaw @Document

Erythrocyte Ghosts Filled with Quantum Dots Improve Cryogenics with Microarea Custom Freeze Thaw @ Document

Death Stress Implant Network Detour (DSIND), Custom display monitor, media player, 30” loop, 2016

Earth/Nature + Individual Preparation = Sovereign Integral Realization, Custom display monitor, media player, 2’43” loop, 2016

Lightbody_astral.jpg//white_matter_of_left_cerebral_hemisphere-2.x3d, Extruded polystyrene, hydrocal, plaster, hydroprint, acrylic gloss glaze 36x 24x 20 in, 2016

hplusmagazine-2008-fall.pdf//EMDB-6003-surf-radial.x3d, Extruded polystyrene, hydrocal, plaster, hydroprint, acrylic gloss glaze 44x 36x 14 in, 2016

Collective Human Mind System Reality, Custom display monitor, usb flash drive, LED strobe light, 1’23” loop, 2016

Brute Force, archival digital prints, 2014, Elmhurst Art Museum Biennal, installation view.

Brute Force, archival digital prints, 2014, The Hills, installation view.

Brute Force xtxp8.jpg (cop selfie), Archival Pigment Print, 23 1/2 x 17 1/2 in, 2014

IMG1272.jpg, Archival Digital Print, 15 x 12 1/2 in, 2007-2015

IMG38.jpg, Archival Digital Print, 10 x 9 in, 2007-2015

IMG67_1.jpg, Archival Digital Print, 10 x 9 in, 2007-2015

Kirkjufell, Iceland, archival digital prints, 12x18 each, 2013

Svartsengi, Iceland, archival digital prints, 12x18 each, 2013

Cipher (insurance.aes256), ultraviolet curing ink on seamless paper 350x100 in, 2011

Cipher (insurance.aes256), ultraviolet curing ink on seamless paper 350x100 in, 2011

Cataphote, 2014 welded steel, retroreflective fabric, zippers, vacuum 16x18x9 ft collaboration with May Wilson


Janine Antoni. Touch, 2002. © Janine Antoni; Courtesy of the artist and Luhring Augustine, New York.



UB Art Gallery: September 7-December 16, 2017
UB Anderson Gallery: September 7-December 31, 2017


Wanderlust: Actions, Traces, Journeys 1967-2017 is a 50 year survey exhibition that considers the themes of action and exploration outside of the studio and how artists engage this theme in various ways, including walking, cartography, land use, endurance, and the consideration of public space. This exhibition highlights a variety of art practices, dating from the late 1960s and continuing through present day. Artists include Vito Acconci, Bas Jan Ader, Nevin Aladag, Francis Alÿs, Janine Antoni, John Baldessari, Kim Beck, Roberley Bell, Blue Republic, Sophie Calle, Rosemarie Castoro, Cardiff/Miller, Zoe Crosher, Fallen Fruit, Mona Hatoum, Kenneth Josephson, William Lamson, Richard Long, Marie Lorenz, Mary Mattingly, Anthony McCall, Ana Mendieta, Teresa Murak, Wangechi Mutu, Efrat Natan, OHO, Gabriel Orozco, Carmen Papalia, John Pfahl, Pope.L, Michael X. Ryan, Todd Shalom, Greg Stimac, Mary Ellen Strom, and Guido van der Werve. The exhibition will be on view at the UB Art Galleries from September 7-December 31, 2017 and travel to the Des Moines Art Center in February 2018. The catalogue, published by MIT Press, includes essays by Jane McFadden, Lori Waxman and Rachel Adams

For the first time, this exhibition brings together regional, national and international artists that focus on actions in and with the landscape through various practices. No longer separately relegated to “walking” art or “land” art, but including action-based processes, Wanderlust allows viewers to experience 50 years of artistic practices that are intertwined while highlighting diverse approaches to contemporary art. By experiencing the gallery exhibitions and participating in public programs, viewers will gain an understanding of working outside the box. Artwork in the exhibition ranges in medium from drawing, photography, sculpture, installations, film, and video to performance and social practice taking place in both urban and rural landscapes. Taking its name from Rebecca Solnit’s book Wanderlust: A History of Walking, the exhibition will include works that are narrative, political, performative, and conceptual examples of contemporary art. Represented works vary in process—some artists work as solitary figures implanting themselves physically on the landscape while others form actions and create movements in a collaborative manner or in public. The exhibition will not be installed chronologically; historic artworks will be juxtaposed with recent and commissioned artworks that relate to each other through influence from previous decades and artistic intention.

Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto’s performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017. Commissions of new work will include: a two-channel video piece by William Lamson, who will explore a double mirror video project filmed on a boat; and a new walk by artist Carmen Papalia; and The Grass is Always Greener—a collaboration with art collective Fallen Fruit to bring fruit trees back to Buffalo’s Fruit Belt neighborhood.

During the exhibition, public programs and workshops will be scheduled to take place outside of the gallery walls, allowing visitors to experience their own form of wanderlust. A schedule of public programs will be posted closer to the opening of the exhibition.

Wanderlust: Actions, Traces, and Journeys 1967-2017 is organized by the University at Buffalo Art Galleries, Buffalo, New York and curated by Rachel Adams, UB Art Galleries Senior Curator. Wanderlust: Actions, Traces, and Journeys 1967-2017 and its publication are supported by Andy Warhol Foundation for the Visual Arts and the National Endowment for the Arts.

IMAGE: Janine Antoni. Touch, 2002. © Janine Antoni; Courtesy of the artist and Luhring Augustine, New York.

Wanderlust: Actions, Traces, Journeys 1967-2017


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DOCUMENT is a commercial gallery located in Chicago that specializes in contemporary photography, film and media based art. The gallery has organized more than 30 solo exhibitions since its opening in 2011 and actively promotes the work of emerging national and international artists. Operating conjointly as a professional printmaking studio, DOCUMENT facilitates the production of works by artists from Chicago and the US. At this time we do not accept unsolicited submissions.