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Document is pleased to present I want to be an honest man and a good writer., a solo exhibition of new works by Marco Braunschweiler.

The exhibition takes the starting point of the Lilium Oriental Stargazer, developed in Southern California in the 1970s. This selection of photographs and timelapse films of Lilies opening and dying deal with the hybridization of media (and mediums) and the commercialization, packaging and sale of everyday rituals. Initially focused on aesthetic reduction this body of work moved, with time, toward a more nuanced study of creative labor–its commodification and exploitation.

The works on monitors use timelapse photography to speed up the slow stretching and growing lilies make over days into a few short minutes. This intimate experience placidly shows these flowers as dynamic, growing objects. The second set of works is a series of photographs taken from overhead of lilies in the newspapers they were wrapped in, with other ephemera from the studio. The 3 photographs are printed directly onto Plexiglas and attached to the wall using commercial sign brackets. This presentation allows the ink to float on the surface of the Plexiglas and over time eventually fade like the newsprint the flowers are wrapped in.

Marco Braunschweiler (b. 1985) is a Swiss-American artist, curator and lecturer based in Los Angeles. He was the director of Golden Age, Chicago; has presented programs at the Art Institute of Chicago, and White Flag Projects, St. Louis. Braunschweiler has exhibited at the Swiss Institute, New York, the Green Gallery, Milwaukee, the Institute of Contemporary Art, Philadelphia, and The Museum of Contemporary Art, Chicago.

An essay by Zachary Kaplan accompanies the exhibition.

Geraldo de Barros

Geraldo de Barros was born in São Paulo in 1923 and lived there until his death in 1998. He started his career as a traditional painter, but began an intense period of experimentation with the photographic medium in 1946, which culminated in his Fotoformas exhibition at the Museu de Arte de São Paulo (MASP) in 1951. The exhibition was a watershed for Brazilian photography and led to de Barros receiving a scholarship to study engraving in Paris. While in Europe he travelled extensively, meeting influential artists and encountering key movements in art and design. He returned to Brazil and established a successful career as an artist and industrial designer. A key figure in Brazillian Concrete, Abstract and Pop art he was a founding member of many influential groups including Grupo 15, Galeria Rex, Grupo Ruptura. He established the design co-operative Unilabor and furniture company Hobjeto Industry. After a series of strokes de Barros began in 1996 to work on a series of collage works using his ‘leftover’ family photographs. Entitled Sobras, de Barros continued to work on the series until his death in 1998.

 

 

 

 

 

 

 

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Sobras Series), 1996-1998, Silver gelatin print, Edition of 5

Geraldo de Barros, Untitled (from Fotoformas Series), 1950, Silver gelatin print, Edition of 15

Geraldo de Barros, Untitled (from Fotoformas Series), 1950, Silver gelatin print, Edition of 15

Geraldo de Barros, Untitled (from Fotoformas Series), 1948, Silver gelatin print, Edition of 15

Geraldo de Barros, Untitled (from Fotoformas Series), 1950, Silver gelatin print, Edition of 15

Geraldo de Barros, Hommage à Picasso (from Fotoformas Series), 1949, Silver gelatin print, Edition of 15

John Opera “Technical Images” at Document

Owner
Aron Gent
aron@documentspace.com
Director
Sibylle Friche
sibylle@documentspace.com
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DOCUMENT is a commercial gallery located in Chicago that specializes in contemporary photography, film and media based art. The gallery has organized more than 30 solo exhibitions since its opening in 2011 and actively promotes the work of emerging national and international artists. Operating conjointly as a professional printmaking studio, DOCUMENT facilitates the production of works by artists from Chicago and the US. At this time we do not accept unsolicited submissions.