Elizabeth Atterbury
James Collins
Sterling Lawrence

November 4 – December 3, 2016
Reception: Friday, November 4, 6:00 – 8:00 p.m.
1275 Minnesota Street, San Francisco, CA 94107

Elizabeth Atterbury’s work emerges from her exploration of painterly and sculptural abstraction. In her black and white photographs Atterbury creates abstract photographic compositions of humble, familiar materials such as sand or cut cardboard. Alternating between areas of light and dark, the cardboard photos produce convincing interplays between flatness and depth. The artist’s manipulation of spatial perception yields a lexicon of poetic signs and forms. Born in 1982 and based in Portland, ME, Atterbury has had solo exhibitions at The Colby College Museum of Art, Waterville, kijidome, Boston, DOCUMENT, Chicago, TSA, Brooklyn, Bodega, Philadelphia/New York, KANSAS, New York, and The ICA at Maine College of Art, Portland, among others. In the Middle, An Oasis, a monograph of her work, was published by Bodega Press in 2013.

James Collins uses acrylic and oil paint to produce simulacra of distorted photocopies, scanned images and other types of reproductions, creating an illusion of dimensionality in highly graphic paintings. When it first appeared, photography troubled painting’s monopoly on the accurate transcription of reality. Collins reverses this achievement by copying the reproduced image, executing “mechanical reproduction” with a skilled hand and a precise chemistry of materials. On the surfaces of the canvases shown in this exhibition, the artist applied Tyvec, a house wrap material that is currently ubiquitous in his Detroit context. Born in 1972 and based in Detroit, Collins has been featured in solo exhibitions at Art Minders and Rogue Buddha, and group exhibitions at DOCUMENT, Jessica Silverman Gallery and The Gallery Project.

Sterling Lawrence works between image and objects in tied connections through installation. Relations between objects are complicated by their imagined and therefore suggested utility, which is often exaggerated or muted. The temporal nature of of these works are distressed through their relationship within the networks that they produce. Born in 1980, Sterling Lawrence received his BFA and MFA from the School of the Art Institute of Chicago. Lawrence has had solo exhibitions with Document Gallery, Devening Projects+ Editions and Tony Wight Gallery in Chicago and has been included in group exhibitions at Soloway in New York, Scotty Enterprises in Berlin Columbia College in Chicago, MANA Contemporary Chicago, Devening Projects + Editions, and New Capital via Forever and Always in Chicago.

Elizabeth Atterbury

Elizabeth Atterbury (born 1982, West Palm Beach, FL) lives and works in Portland, Maine. Recent solo and group shows include The Colby College Museum of Art, Waterville; kijidome, Boston; Document, Chicago; TSA, Brooklyn; Bodega, Philadelphia/New York; KANSAS, New York; and The ICA at Maine College of Art, Portland, among others. In the Middle, An Oasis, a monograph of her work, was published by Bodega Press in 2013. She received her BA from Hampshire College and her MFA from MassArt.

The Well, The Wall, 2016 Silver gelatin print 20 x 24 in

The Well, The Wall II, 2016 Silver gelatin print 20 x 24 in

Beach Woks (Marks of a Tool II), 2016 Silver gelatin print 20 x 24 in

Still Life with Popcorn and Pits, 2016 Silver gelatin print 11 x 14 in

Logogram III, 2016 Silver gelatin print 20 x 24 in

Logogram II, 2016 Silver gelatin print 20 x 24 in

Logogram I, 2016 Silver gelatin print 20 x 24 in

Sunny Side, FL (Tomb), 2016 Enamel paint, steel 12 x 7 1/2 x 5 1/2 in

Sunny Side, FL (The Cut), 2016 Enamel paint, steel 13 1/2 x 28 1/2 x 1 1/4 in

Sunny Side, FL (Sunset Hedge), 2016 Enamel paint, steel 1 1/2 x 16 x 2 1/2 in

Sunny Side, FL (Small House), 2016 Enamel paint, steel 1 x 16 3/4 x 14 1/2 in

Sunny Side, FL (Bull Shark), 2016 Enamel paint, steel 2 1/2 x 18 x 1 1/2 in

Sunny Side, FL (Paper Cut / Hedge), 2016 Enamel paint, steel 10 x 9 x 1 3/4 in

Sunny Side, FL (Noguchi's Intetra, Mist Fountain), 2016 Enamel paint, steel 11 x 9 1/2 x 9 1/2 in

Sunny Side, FL (Lawn), 2016 Enamel paint, steel 9 x 9 in

Sunny Side, FL (Big House), 2016 Enamel paint, steel 16 x 18 x 6 in

Sunny Side, FL (Palms), 2015 Enamel paint, steel 17 1/2 x 11 x 16 in

Relief (China White), 2015 Plywood and paint 33 x 48 x 1 3/4 in

Moonlight on the river, 2014, chromogenic print 14 x 11 in

Slow Song, 2014, chromogenic print 14 x 11 in

Marks of a tool, 2014, silver gelatin print 11 x 14 in

Rake, 2014, Silver gelatin print 24h x 20w in

Ghost Tracks, 2014, Silver gelatin print 24h x 20w in

Black Beach, 2014, silver gelatin print 14 x 11 in.

Bones, 2014 Silver gelatin print 11 x 14 in

Glyphs II, 2014 Silver gelatin print 11 x 14 in

Glyphs, 2014 Silver gelatin print 11 x 14 in

Site, 2014 Silver gelatin print 11 x 14 in

Sculpture Park, 2014 Silver gelatin print 11 x 14 in

Bricks, 2013, chromogenic print 14 x 11 in

Harry, Henri, Sal, 2013, chromogenic print 14 x 11 in

Blue runner, 2013, chromogenic print 14 x 11 in

BETWEEN THE WATERS

ERIN JANE NELSON

The Whitney Museum of American Art

Opening March 2018


This group exhibition features works by six emerging artists that address the inseparability of the natural and social worlds through a distinctly subjective or autobiographical lens. The artists included are: Carolina Caycedo (b. 1978, London; lives and works in Los Angeles, CA), Demian DinéYazhi ́(b. 1983, Gallup, NM; lives and works in Portland, OR), Torkwase Dyson (b. 1973, Chicago, IL; lives and works in Brooklyn, NY), Cy Gavin (b. 1985, Pittsburgh, PA; lives and works in New York, NY), Lena Henke (b. 1982, Warburg, Germany; lives and works New York, NY), and Erin Jane Nelson (b. 1989, Neenah, WI; lives and works in Atlanta, GA). Working in painting, sculpture, and video, these artists take environmental realities and histories of the land as a point of departure—from hydroelectric dam construction in Colombia and transatlantic underwater internet cables to Bermuda’s ecological and sociopolitical evolution—to create intuitive, sometimes fictional or fantastical narratives. In doing so, these works merge the mythical and the personal, collectively asserting the value of individual human experience while suggesting the limits of human reason.

The exhibition is organized by Elisabeth Sherman, assistant curator, and Margaret Kross, curatorial assistant.

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Owner
Aron Gent
aron@documentspace.com
Director
Sibylle Friche
sibylle@documentspace.com
General Inquiries
info@documentspace.com

Gallery hours:
Tuesday-Saturday: 11am-6pm

Private Works Login
DOCUMENT is a commercial gallery located in Chicago that specializes in contemporary photography, film and media based art. The gallery has organized more than 30 solo exhibitions since its opening in 2011 and actively promotes the work of emerging national and international artists. Operating conjointly as a professional printmaking studio, DOCUMENT facilitates the production of works by artists from Chicago and the US. At this time we do not accept unsolicited submissions.