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Reception: April 15, 5-8pm

DOCUMENT is pleased to present Psychopompopolis, Erin Jane Nelson’s second solo exhibition at the gallery.

Press release to follow.

Sara Greenberger Rafferty

Sara Greenberger Rafferty has exhibited widely since 2001, including solo exhibitions at The Kitchen, New York; MoMA PS1, New York; Eli Marsh Gallery at Amherst College, Massachusetts; The Suburban, Illinois; and a commissioned sculpture for the Public Art Fund. In 2014, she participated in the Whitney Biennial; the Hammer Biennial; and had solo exhibitions in Portland, Oregon, Riga, Latvia, and New York. In 2015, her work has been part of exhibitions at the Museum of Contemporary Art, San Diego, the Atlanta Contemporary Art Center in Georgia, and Galerie Andreas Huber in Vienna. Rafferty has participated in group shows at venues such as the Aspen Art Museum, Colorado; Neuberger Museum of Art, Purchase, New York; Gagosian Gallery, New York; and The Jewish Museum, New York, among many others. She is included in the collections of the Museum of Modern Art and Whitney Museum of American Art, among others. She teaches full-time at Hampshire College and lives and works in Brooklyn.

 

 

Untitled, 2015. Acrylic polymer and inkjet print on acetate and paper on Plexiglas and hardware, 24h x 39w in.

Double Gun, 2011. Direct substrate printing on plexiglas, 45h x 9 1/2w in. Edition of 3

Chicken Prop, 2010. Direct substrate printing on plexiglas, 27h x 11w in. Edition of 3

Lacan Collar, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas and silkscreen on acetate 10 15/16 x 8 1/2 in

Wound Picture, 2016 Inkjet print on acetate mounted to Plexiglas 22 x 17 in

Stock Photo, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 13 7/8 x 10 7/8 in

Pink Picture I, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 15 x 11 3/4 in

Pattern I, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 21 x 16 1/2 in

Fly Paper II, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 13 7/8 x 10 3/4 in

Colour Kid, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 13 7/8x 11in

News with Zipper I, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 14 x 9 3/4 in

Pattern II, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 21 7/8 x 11 in

Desktop Construction, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 21 7/8 x 11 in

Pink Shoes, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 13 7/8 x 10 7/8 in

Untitled, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 16 7/16 x 10 1/2 in

Part Two I, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 11 x 13 7/8 in

Swatches, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 13 7/8 x 11 in

Some Feet, 2016 Inkjet print on acetate mounted to Plexiglas 16 7/8 x 11 in

Some Men, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 13 7/8 x 10 3/4 in

School Zone II, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 16 7/8 x 10 3/4 in

Comedy Girl , 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 8 5/8 x 11 in

Fly Paper I, 2016 Inkjet print on acetate mounted to Plexiglas 13 7/8 x 10 3/4 in

Face I, 2016 Inkjet print on acetate mounted to Plexiglas 16 1/2 x 10 1/2 in

Face II, 2016 Inkjet print on acetate mounted to Plexiglas 16 1/2 x 10 1/2 in

Face III, 2016 Inkjet print on acetate mounted to Plexiglas 16 1/2 x 10 1/2 in

Floor II, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 13 x 12 in

News with Zipper II, 2016 Inkjet print on acetate mounted to Plexiglas 13 1/2 x 10 1/2 in

School Zone, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 13 7/8 x 10 7/8 in

Cans, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 17 x 11 in

Floor, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 16 1/2 x 12 1/2 in

Part Two II, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 11 1/2 x 15 1/8 in

Zippers, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 21 15/16 x 16 15/16 in

Untitled, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 16 15/16 x 10 15/16 in

Small Maniac, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 13 1/2 x 10 1/2 in

Stand Up Time, 2016 Inkjet print on acetate mounted to Plexiglas 13 7/8 x 10 13/16 in

Pink Picture II, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 15 x 11 in

Knives and Tie, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 25 x 28 in

WANDERLUST: ACTIONS, TRACES, JOURNEYS 1967-2017

Janine Antoni. Touch, 2002. © Janine Antoni; Courtesy of the artist and Luhring Augustine, New York.

SEPTEMBER 7-DECEMBER 31, 2017

UB ART GALLERY THRU DEC. 16 AND UB ANDERSON GALLERY THRU DEC. 31, 2017

OPENING RECEPTION: UB ART GALLERY, CFA SEPTEMBER 7, 5-8PM
UB Art Gallery: September 7-December 16, 2017
UB Anderson Gallery: September 7-December 31, 2017

 

Wanderlust: Actions, Traces, Journeys 1967-2017 is a 50 year survey exhibition that considers the themes of action and exploration outside of the studio and how artists engage this theme in various ways, including walking, cartography, land use, endurance, and the consideration of public space. This exhibition highlights a variety of art practices, dating from the late 1960s and continuing through present day. Artists include Vito Acconci, Bas Jan Ader, Nevin Aladag, Francis Alÿs, Janine Antoni, John Baldessari, Kim Beck, Roberley Bell, Blue Republic, Sophie Calle, Rosemarie Castoro, Cardiff/Miller, Zoe Crosher, Fallen Fruit, Mona Hatoum, Kenneth Josephson, William Lamson, Richard Long, Marie Lorenz, Mary Mattingly, Anthony McCall, Ana Mendieta, Teresa Murak, Wangechi Mutu, Efrat Natan, OHO, Gabriel Orozco, Carmen Papalia, John Pfahl, Pope.L, Michael X. Ryan, Todd Shalom, Greg Stimac, Mary Ellen Strom, and Guido van der Werve. The exhibition will be on view at the UB Art Galleries from September 7-December 31, 2017 and travel to the Des Moines Art Center in February 2018. The catalogue, published by MIT Press, includes essays by Jane McFadden, Lori Waxman and Rachel Adams

For the first time, this exhibition brings together regional, national and international artists that focus on actions in and with the landscape through various practices. No longer separately relegated to “walking” art or “land” art, but including action-based processes, Wanderlust allows viewers to experience 50 years of artistic practices that are intertwined while highlighting diverse approaches to contemporary art. By experiencing the gallery exhibitions and participating in public programs, viewers will gain an understanding of working outside the box. Artwork in the exhibition ranges in medium from drawing, photography, sculpture, installations, film, and video to performance and social practice taking place in both urban and rural landscapes. Taking its name from Rebecca Solnit’s book Wanderlust: A History of Walking, the exhibition will include works that are narrative, political, performative, and conceptual examples of contemporary art. Represented works vary in process—some artists work as solitary figures implanting themselves physically on the landscape while others form actions and create movements in a collaborative manner or in public. The exhibition will not be installed chronologically; historic artworks will be juxtaposed with recent and commissioned artworks that relate to each other through influence from previous decades and artistic intention.

Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto’s performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017. Commissions of new work will include: a two-channel video piece by William Lamson, who will explore a double mirror video project filmed on a boat; and a new walk by artist Carmen Papalia; and The Grass is Always Greener—a collaboration with art collective Fallen Fruit to bring fruit trees back to Buffalo’s Fruit Belt neighborhood.

During the exhibition, public programs and workshops will be scheduled to take place outside of the gallery walls, allowing visitors to experience their own form of wanderlust. A schedule of public programs will be posted closer to the opening of the exhibition.

Wanderlust: Actions, Traces, and Journeys 1967-2017 is organized by the University at Buffalo Art Galleries, Buffalo, New York and curated by Rachel Adams, UB Art Galleries Senior Curator. Wanderlust: Actions, Traces, and Journeys 1967-2017 and its publication are supported by Andy Warhol Foundation for the Visual Arts and the National Endowment for the Arts.

IMAGE: Janine Antoni. Touch, 2002. © Janine Antoni; Courtesy of the artist and Luhring Augustine, New York.

Wanderlust: Actions, Traces, Journeys 1967-2017

 

Geraldo de Barros at DOCUMENT (6)
Owner
Aron Gent
aron@documentspace.com
Director
Sibylle Friche
sibylle@documentspace.com
General Inquiries
info@documentspace.com

Gallery hours:
Tuesday-Saturday: 11am-6pm

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DOCUMENT is a commercial gallery located in Chicago that specializes in contemporary photography, film and media based art. The gallery has organized more than 30 solo exhibitions since its opening in 2011 and actively promotes the work of emerging national and international artists. Operating conjointly as a professional printmaking studio, DOCUMENT facilitates the production of works by artists from Chicago and the US. At this time we do not accept unsolicited submissions.