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Reception: Friday, September 13, 5-8pm

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Sara Greenberger Rafferty

Sara Greenberger Rafferty has exhibited widely since 2001, including solo exhibitions at MoMA PS1, New York; The Kitchen, New York; Eli Marsh Gallery at Amherst College, Massachusetts; Fine Arts Center Gallery at University of Arkansas; and a commissioned sculpture for the Public Art Fund. Gloves Off, the first traveling survey of her work with accompanying fully illustrated catalog published by SUNY Press, completed a three-venue tour last year.

The artist was included in the 2014 Whitney Biennial and the 2014 Hammer Biennial in addition to group shows at the Portland Institute for Contemporary Art, Oregon; Museum of Contemporary Art San Diego, California; and The Jewish Museum, New York, among many others. Her work is included in the collections of the Museum of Modern Art, the Whitney Museum of American Art, and the University of Chicago Booth School of Business. Rafferty is Associate Professor and Director of Graduate Studies in Photography at Pratt Institute in Brooklyn.

 

 

Sara Greenberger Rafferty, Eye Test (University of Michigan Extension), 2018, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 16 x 20 in

Sara Greenberger Rafferty, Study for Her Taxes, 2018, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 20 x 16 in

Sara Greenberger Rafferty, 1, 2018, Gelatin silver print mounted to 8-ply archival board, 20 1/4h x 16 1/4w x 1 3/8d in, Edition of 5

Sara Greenberger Rafferty, 2, 2018, Gelatin silver print mounted to 8-ply archival board, 20 1/4h x 16 1/4w x 1 3/8d in, Edition of 5

Sara Greenberger Rafferty, Slides II (University of Michigan Extension), 2018, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 17 x 21 1/2 in

Sara Greenberger Rafferty, Slides I (University of Michigan Extension), 2018, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 17 x 21 1/2 in

Sara Greenberger Rafferty, 3, 2018, Gelatin silver print mounted to 8-ply archival board, 20 1/4h x 16 1/4w x 1 3/8d in, Edition of 5

Sara Greenberger Rafferty, 4, 2018, Gelatin silver print mounted to 8-ply archival board, 20 1/4h x 16 1/4w x 1 3/8d in, Edition of 5

Sara Greenberger Rafferty, Dollar Test (University of Michigan Extension), 2018, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 16 x 20 in

Sara Greenberger Rafferty, 5, 2018, Gelatin silver print mounted to 8-ply archival board, 20 1/4h x 16 1/4w x 1 3/8d in, Edition of 5

Sara Greenberger Rafferty, 6, 2018, Gelatin silver print mounted to 8-ply archival board, 20 1/4h x 16 1/4w x 1 3/8d in, Edition of 5

Sara Greenberger Rafferty, Ringaround, 2018, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 16 1/2 x 23 1/2 x 1 3/8 in

Sara Greenberger Rafferty, Red Hand, 2018, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 16 x 20 in

Sara Greenberger Rafferty, 7, 2018, Gelatin silver print mounted to 8-ply archival board, 20 1/4h x 16 1/4w x 1 3/8d in, Edition of 5

Sara Greenberger Rafferty, 8, 2018, Gelatin silver print mounted to 8-ply archival board, 20 1/4h x 16 1/4w x 1 3/8d in

Sara Greenberger Rafferty, 9, 2018, Gelatin silver print mounted to 8-ply archival board, 20 1/4h x 16 1/4w x 1 3/8d in, Edition of 5

Sara Greenberger Rafferty, Yellow Wall, 2018, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 16 x 20 in

Sara Greenberger Rafferty, Study for a Slide Piece, 2018, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 12 x 14 in

Sara Greenberger Rafferty, Meds II, 2018, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 16 3/4 x 20 3/4 in

Sara Greenberger Rafferty, Meds I, 2018, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 16 3/4 x 20 3/4 in

Sara Greenberger Rafferty, Lighting Test (University of Michigan Extension), 2018, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 16 x 20 in

Sara Greenberger Rafferty Double Wall, 2018, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 16 x 30 1/2 in

Sara Greenberger Rafferty, TK, 2018, Fused and kiln-formed glass with sandblasting and enamel, 20 x 16 1/4 x 1/4 inches

Sara Greenberger Rafferty, Venipuncture Lesson, 2018, Fused and kiln-formed glass, 20 3/4 x 16 x 15/16 in

Untitled, 2015, Acrylic polymer and inkjet print on acetate and paper on Plexiglas and hardware, 24h x 39w in.

Wound Picture, 2016, Inkjet print on acetate mounted to Plexiglas , 22 x 17 in

Stock Photo, 2016, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 13 7/8 x 10 7/8 in

Pattern I, 2016, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 21 x 16 1/2 in

Colour Kid, 2016, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 13 7/8x 11in

Pattern II, 2016, Acrylic polymer and inkjet print on acetate mounted to Plexiglas 21 7/8 x 11 in

Desktop Construction, 2016, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 21 7/8 x 11 in

Untitled, 2016, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 16 7/16 x 10 1/2 in

Part Two I, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 11 x 13 7/8 in

Swatches, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 13 7/8 x 11 in

Some Men, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 13 7/8 x 10 3/4 in

Comedy Girl , 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 8 5/8 x 11 in

News with Zipper II, 2016 Inkjet print on acetate mounted to Plexiglas, 13 1/2 x 10 1/2 in

School Zone, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 13 7/8 x 10 7/8 in

Floor, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 16 1/2 x 12 1/2 in

Part Two II, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 11 1/2 x 15 1/8 in

Zippers, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 21 15/16 x 16 15/16 in

Untitled, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 16 15/16 x 10 15/16 in

Small Maniac, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 13 1/2 x 10 1/2 in

Stand Up Time, 2016 Inkjet print on acetate mounted to Plexiglas, 13 7/8 x 10 13/16 in

Knives and Tie, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 25 x 28 in

Prop for BAM #1, 2017, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 29h x 23w in

Prop for BAM #2, 2017, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 29h x 23w in

Prop for BAM #3, 2017, Acrylic polymer and inkjet print on acetate mounted to Plexiglas, 25 1/2h x 23w in

Paul Mpagi Sepuya, Mirror Study (0X5A1317), 2017

Paul Mpagi Sepuya at Blaffer Art Museum

October 19, 2019 – March 14, 2020

DOCUMENT is excited to announce a solo exhibition by Paul Mpagi Sepuya at Blaffer Art Museum at the University of Houston. The exhibition will run from October 19, 2019 through March 14, 2020.

 

PUBLIC PROGRAMS

Saturday, October 19, 2019
Opening Reception
5:00-8:00 p.m.
Remarks, 6:00 p.m.
Blaffer Art Museum

Owner
Aron Gent
aron@documentspace.com
Director
Sibylle Friche
sibylle@documentspace.com
Gallery and Print Studio Associate
Cody Schlabaugh
info@documentspace.com

Gallery hours:
Tuesday-Saturday: 11am-6pm

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DOCUMENT is a commercial gallery located in Chicago that specializes in contemporary photography, film and media based art. The gallery has organized more than 50 solo exhibitions since its opening in 2012 and actively promotes the work of emerging national and international artists.Since 2016, DOCUMENT started exhibiting historical artists and has continued to anchor its program in a conversation between emerging voices and established figures. Operating conjointly as a professional printmaking studio, DOCUMENT facilitates the production of works by artists from Chicago and the US. The production studio allows some of the gallery artists to collaborate with DOCUMENT in both their exhibitions and their daily artistic practice by being in constant conversation about the realization and processes in their work.
At this time we do not accept unsolicited submissions.