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Reception: Friday, November 3rd

DOCUMENT is pleased to present Icons and Rituals, Andy Cahill’s first solo exhibition at the gallery.

“One of my earliest sexual memories is looking at the cover of a Bugs Bunny VHS tape I had rented from the video store. This was in the early 1990s, and I was six or seven years old.

The image is of Bugs Bunny bound to a post. One rope is wrapped around his shoulders, and another around his ears. The rope has been rendered with a little more detail than normal- each twist and frayed end has been elaborated. Four drops of sweat run down Bugs Bunny’s brow. He looks up in a state of wide-eyed alarm.

I rented the VHS tape because I was hoping to learn why this was happening to Bugs Bunny, who had done it, and what happens next. To my dismay, I discovered that the cartoons on the videotape had no correlation with the cover image. There was no escape.

This was more than I could process as a child. I hid the VHS tape behind a pillow on the couch. When I was alone I would pull the pillow back and look at it, then cover it again. I was obsessed with it, and deeply ashamed.

Looking at it now,  I understand why. A cartoon character is attractive because it is simple. The lack of specificity allows you to see yourself in it.  Bugs Bunny, therefore, is a surrogate for self. In this image, however, your surrogate looks back at you, and he waits for you to do something bad to him. To look at Bugs Bunny looking at you is to simultaneously occupy a dominant and submissive position. It is an unstable proposition.

I think of the VHS cover as an icon. It’s not a devotional aid, but looking at it allows me to access the elastic sexuality of a cartoon, where contradictions can exist without reconciliation. It’s a fun house mirror in which I see my darkest impulses neutralized, made buoyant and hysterical.”

– Andy Cahill

Andy Cahill (born 1985) holds an MFA from The School of the Art Institute of Chicago and a BFA from RISD. Cahill has exhibited in group shows, recently at V1 Gallery in Copenhagen, CANADA in NY, New York, and Geoffrey Young Gallery in Great Barrington, MA. He has also had solo shows at Paris London Hong Kong in Chicago and at Safe Gallery in Brooklyn. Cahill was awarded a fellowship at Lighthouse Works on Fischer’s Island in 2015. Andy Cahill currently lives and works in Brooklyn, NY.

 

Derek Franklin

Derek Franklin, b. 1981 in St. Helens, OR lives and works in Portland, OR. He has exhibited at Thierry Goldberg, Simone Subal, Soloway, and Rawson Projects, in New York. Franklin has also exhibited with Andel 31 Rocks Box Fine Art, PDX Contemporary, and Pulliam Gallery. He holds an MFA from Mason Gross School of the Arts at Rutgers University, 2012, and a BFA from Pacific Northwest College of Art, 2009. Franklin is also a partner and director at the artist run space Soloway in Brooklyn, NY.

Episode 3 VII, 2015 Acrylic and Inkjet on Canvas 46”x64”

Episode 3 II, 2015 Acrylic and Inkjet on Canvas 46”x64”

Episode 3 V, 2015 Acrylic and Inkjet on Canvas 46”x64”

Episode 3 VIII, 2015 Acrylic and Inkjet on Canvas 46”x64”

Being Average is a Virtue of Survival, 2015 Cast Slice off a Harvest Table 3” x 74” x 2”

Being Average is a Virtue of Survival, 2015 (Detail) Cast Slice off a Harvest Table 3” x 74” x 2”

Sacrilicious, 2015 Cast Concrete Waffle on Ceiling 4”x 6”

BETWEEN THE WATERS

ERIN JANE NELSON

The Whitney Museum of American Art

Opening March 2018


This group exhibition features works by six emerging artists that address the inseparability of the natural and social worlds through a distinctly subjective or autobiographical lens. The artists included are: Carolina Caycedo (b. 1978, London; lives and works in Los Angeles, CA), Demian DinéYazhi ́(b. 1983, Gallup, NM; lives and works in Portland, OR), Torkwase Dyson (b. 1973, Chicago, IL; lives and works in Brooklyn, NY), Cy Gavin (b. 1985, Pittsburgh, PA; lives and works in New York, NY), Lena Henke (b. 1982, Warburg, Germany; lives and works New York, NY), and Erin Jane Nelson (b. 1989, Neenah, WI; lives and works in Atlanta, GA). Working in painting, sculpture, and video, these artists take environmental realities and histories of the land as a point of departure—from hydroelectric dam construction in Colombia and transatlantic underwater internet cables to Bermuda’s ecological and sociopolitical evolution—to create intuitive, sometimes fictional or fantastical narratives. In doing so, these works merge the mythical and the personal, collectively asserting the value of individual human experience while suggesting the limits of human reason.

The exhibition is organized by Elisabeth Sherman, assistant curator, and Margaret Kross, curatorial assistant.

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Owner
Aron Gent
aron@documentspace.com
Director
Sibylle Friche
sibylle@documentspace.com
General Inquiries
info@documentspace.com

Gallery hours:
Tuesday-Saturday: 11am-6pm

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DOCUMENT is a commercial gallery located in Chicago that specializes in contemporary photography, film and media based art. The gallery has organized more than 30 solo exhibitions since its opening in 2011 and actively promotes the work of emerging national and international artists. Operating conjointly as a professional printmaking studio, DOCUMENT facilitates the production of works by artists from Chicago and the US. At this time we do not accept unsolicited submissions.