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Reception: Friday, November 2nd

DOCUMENT is pleased to present THE LAUGHTER, an exhibition of new works by Sara Greenberger Rafferty, the artist’s second solo show with the gallery.

Using images pulled from from archival, stock, and dis­carded commercial film, primarily purchased via eBay, Rafferty’s works in plastic and silver gelatin prints present both colorful and achromatic versions of images which invoke the senses: hands, eyes, lips. These include scans of positive film, specifically slides, representing photographic exercises by teachers and students alike. While the imagery is quite historical, the evocations are quite contemporary. As Johanna Fateman recently noted in The New Yorker, Rafferty’s works [give] “random cultural artifacts the heft of major archeological finds.”

Sara Greenberger Rafferty has exhibited widely since 2001, including solo exhibitions at MoMA PS1, New York; The Kitchen, New York; Eli Marsh Gallery at Amherst College, Massachusetts; Fine Arts Center Gallery at University of Arkansas; and a commissioned sculpture for the Public Art Fund. Gloves Off, the first traveling survey of her work with accompanying fully illustrated catalogue published by SUNY Press, completed a three-venue tour last year.

The artist was included in the 2014 Whitney Biennial and the 2014 Hammer Biennial in addition to group shows at the Portland Institute for Contemporary Art, Oregon; Museum of Contemporary Art San Diego, California; and The Jewish Museum, New York, among many others. Her work is included in the collections of the Museum of Modern Art, the Whitney Museum of American Art, and the University of Chicago Booth School of Business. Rafferty is Associate Professor and Director of Graduate Studies in Photography at Pratt Institute in Brooklyn.

Claude Viallat

Claude Viallat studied at the Ecole des Beaux-Arts de Montpellier from 1955 to 1959, then at the École des Beaux-Arts in Paris in 1962-63, in Raymond Legueult’s workshop. In 1966, he adopts a process based on fingerprints, which shall enter into a critical radical of the lyrical abstraction and geometric (in technique called All-over). A neutral form is repeated on a free canvas without frame determining the composition of the work. In 1969, he was a founding member of Supports / Surfaces.
In addition to the growing success of its exhibitions in France (at the Pompidou Center in 1982) and abroad (Venice Biennale in 1988), he devoted himself to his work as a teacher in the art schools following: Nice, Limoges, Marseille, Nimes (where he was director for many years), then Paris at the École Nationale Supérieure des Beaux-Arts de Paris.

Claude Viallat has been a contentious defender of modernism since 1964, when he began working with the idea repeated pattern to refuse the idea of subject. Since then he has eschewed stretchers or frames. This repeated shape has become Viallat’s trademark and signature and figures on all kinds of surfaces, from rugs, tents, curtains and other loose fabrics, endlessly repeating itself, yet always creating something new.

Claude Viallat, 1972/C23 1972 Ink on rope 51 x 3/4 in

1989/066, 1989 Acrylic on tarpaulin 76h x 35 3/4w in

Claude Viallat 1990/133, 1990 Acrylic on Fabric 59 1/4h x 60 1/4w in

Claude Viallat 2010/217, 2010 Acrylic on sheet 61 x 33 1/2 in

Contemporary Art Daily

NADA Miami 2018

December 11, 2018

NADA Miami 2018, Paul Mpagi Sepuya at Document. Courtesy of the artist and Document, Chicago.

Owner
Aron Gent
aron@documentspace.com
Director
Sibylle Friche
sibylle@documentspace.com
Gallery and Print Studio Assistant
Renata Cruz Lara Guerra
info@documentspace.com

Gallery hours:
Tuesday-Saturday: 11am-6pm

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DOCUMENT is a commercial gallery located in Chicago that specializes in contemporary photography, film and media based art. The gallery has organized more than 40 solo exhibitions since its opening in 2011 and actively promotes the work of emerging national and international artists. Operating conjointly as a professional printmaking studio, DOCUMENT facilitates the production of works by artists from Chicago and the US. At this time we do not accept unsolicited submissions.