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Reception: Friday, January 11 from 5-8pm

DOCUMENT is pleased to present Kodak, Andrew Norman Wilson’s third solo exhibition at the gallery. The exhibition will open on January 11th with a reception from 5pm to 8pm, and will continue through February 23rd, 2019.

Much of Andrew Norman Wilson’s video “KODAK” centers on an exchange between a boss and a worker. The terms of that exchange, like the labor relation it indexes, are asymmetrical: Rich, a career-long employee of Kodak who has long since been laid off, pores over the audio-tape memoirs of George Eastman, the heralded founder of the Kodak Corporation. With masturbatory glee, and a deftness of navigation that can only come from compulsive reuse, Rich shuffles through the hordes of tapes in a public library, seeking something. Although Eastman died generations ago, it is he, rather than Rich, who mostly speaks to us, and about whom we mostly learn: Eastman the dynamo, the captain of industry, whose personal mythology is inextricable from the titanic legacy of his corporation. As for Rich, we come to know him mostly for his adoration for Eastman (Rich instead warmly calls him “George,” as though they are old friends), and his pride in his career. Together, they comprise his only relief from a life of poverty, blindness, incontinence, divorce, and regret. Even in death, the boss is somehow more alive. – Nick Irvin

 

Andrew Norman Wilson

Andrew Norman Wilson is an artist based in New York. Recent and forthcoming exhibitions include the Gwangju Biennale (2016), the Berlin Biennale, the Bucharest Biennale (2016), Bread and Roses at the Museum of Modern Art Warsaw (2016), On Sweat, Paper and Porcelain at CCS Bard in Annandale-on-Hudson, New York (2015), Office Space at Yerba Buena Center for the Arts in San Francisco (2015), Art Post Internet at Ullens Center for Contemporary Art in Beijing (2014), Scars of Our Revolution at Yvon Lambert in Paris (2014), and Image Employment at MoMA PS1 in Queens, New York (2013). His work has screened in Les Rencontres Internationales, the New York Film Festival, Prospectif Cinema at the Centre Pompidou, #VOICEOVER at the Palais de Tokyo, the San Francisco International Film Festival, and the Images Festival. He has lectured at Oxford University, Harvard University, Universität der Künste Berlin, and CalArts. His work has been featured in Aperture, Art in America, Artforum, Buzzfeed, e-flux journal, Frieze, Gizmodo/Gawker, The New Yorker, and Wired.

 

The ABC of Photography, Archival pigment print and artist frame, Edition of 3, 9 x 7 in, 2014

Museum Metallicum Autoris 35, Edition of 3, Archival pigment print and artist frame, 12 x 15 3/4 in, 2014

The Jungle Frontmatter, Archival pigment print and artist frame, Edition of 3, 8 1/4 x 5 1/3 in, 2014

The lives of saints 485, Archival pigment print and artist frame, Edition of 3, 9 x 5 in, 2014

An Exact Narrative of Man, Edition of 3, Archival pigment print and artist frame, 9 3/4 x 7 3/4 in, 2014

Reality Models, 2016 6 min 10 sec video

Andrew Norman Wilson, The Unthinkable Bygone, 2015, 2 min 20 sec video

Contemporary Art Daily

NADA Miami 2018

December 11, 2018

NADA Miami 2018, Paul Mpagi Sepuya at Document. Courtesy of the artist and Document, Chicago.

Owner
Aron Gent
aron@documentspace.com
Director
Sibylle Friche
sibylle@documentspace.com
Gallery and Print Studio Assistant
Renata Cruz Lara Guerra
info@documentspace.com

Gallery hours:
Tuesday-Saturday: 11am-6pm

Private Works Login
DOCUMENT is a commercial gallery located in Chicago that specializes in contemporary photography, film and media based art. The gallery has organized more than 40 solo exhibitions since its opening in 2011 and actively promotes the work of emerging national and international artists. Operating conjointly as a professional printmaking studio, DOCUMENT facilitates the production of works by artists from Chicago and the US. At this time we do not accept unsolicited submissions.